“A Song Below Water” Is a Compelling Story of Sisterhood, Magic, and Police Brutality
When I first learned about Bethany C. Morrow’s A Song Below Water and how it featured Black mermaids, I couldn’t help but think of mythology, especially the Yoruba orisha Yemaya and the water spirit Mami Wata.
Depending on who you ask, some people interpret them as mermaids. I thought of them because I’ve wondered what a modern interpretation of a Black mermaid would be like. A Song Below Water managed to answer my question in a thought-provoking and touching way.
Tavia Phillips is a siren who must hide her powers in order to keep herself alive. Her best friend, Effie, is struggling with a painful past and strange happenings in the present. While they are trying to navigate their junior year of high school, a siren murder trial shakes Portland, Oregon, to the core. In the aftermath, Tavia and Effie must come together and come to terms with themselves.
One of the most notable aspects of this book is how it blends fantasy and reality almost seamlessly. Mythical creatures such as sirens, elokos, and gargoyles exist alongside humans, albeit not peacefully. Sirens (and other mythical creatures) have always been interpreted as an allegory for a dangerous woman, but this is especially noticeable when applied to a Black female protagonist. Tavia Phillips’s experiences as a Black female siren parallel what real Black women deal with every day, especially when it comes to police brutality. Not only are they considered dangerous for simply existing, but their voices are often silenced and dismissed when they try to speak up.
In fact, I found this book hard to read sometimes because it is a reminder of how difficult living can be for Black girls and women. Tavia is physically and emotionally scarred by a desperate attempt to get rid of her siren abilities as a child, while Effie is battling anxiety and nightmares as a result of a traumatic experience with mythical creatures. At one point, Effie even states, “Black and female and a siren is just layers upon layers of trauma. One time I said she’s [Tavia’s] too young to deal with this, and she said we don’t get to be.” Yet what kept me reading the book were the moments of joy that Tavia and Effie experience together and by themselves.
When it comes to Tavia and Effie’s friendship, they are close enough to be sisters. Sometimes I forgot that they weren’t related by blood because their interactions with each other were just as beautiful and memorable as those I’ve seen between real and fictional siblings. A particularly memorable scene is when Effie and Tavia are gushing over fan fiction written for Euphemia, the fictional mermaid who Effie plays at the Ren faire. Scenes like this show that despite the hardships they are dealing with, Effie and Tavia still create moments when they can enjoy their youth.
Tavia and Effie’s individual character development is just as powerful as their sisterhood. Over the course of the book, Tavia learns to embrace her siren abilities and use them as a force for change. The potential of her siren abilities is explored further as Tavia realizes just how powerful she can be. Meanwhile, Effie comes to terms with her past and learns that what’s “wrong” with her can be something that is wonderful, even when the world says otherwise. The mystery around Effie’s past and present keeps the plot intriguing and develops into a wonderful coming-of-age story.
As much as I appreciated many aspects of the book, there were a few I didn’t like. The lack of explanation for what an eloko was resulted in me doing my own research and doing my best to imagine what they looked like in my head. It might be difficult for other visual readers like myself to “see” what elokos are without a fuller description.
Another aspect of the story that made me a little uncomfortable is how Tavia uses spasmodic dysphonia as a cover story for her siren abilities, as well as how she sometimes uses American Sign Language when she can’t speak without exposing her siren abilities. Her use of ASL is understandable, but the author’s decision to have Tavia pretend to have what is a real muscle disorder is problematic from the point of view of disability advocacy.
It’s not clear whether A Song Below Water is a standalone or the first book in a series. Either way, it’s a compelling read. While the portrayal of police brutality and Black trauma doesn’t make the book easy to digest, the sisterhood and magic are major payoffs. A Song Below Water encourages Black girls to embrace their power, stick together, and never let themselves be silenced.
The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.
Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.