Girling in the Season of #MeToo

It is the season of #MeToo.

The hashtag trends. A status, copied and pasted, is shared: If all the women who have been sexually harassed or assaulted wrote “Me too” as a status, we might give people a sense of the magnitude of the problem. Soon, the status is altered – “women” becomes “people” to be more inclusive. Depending on your platform, depending on your connections, sometimes the message is simple. Sometimes people customize with a personal story, an identifying detail. Some are explicit. Some call out names. A spreadsheet circulates, disappears, and reappears. A blot of mold blooms. The stomach roils.

Amidst the outpouring of #MeToo, some women begin to talk about why they don’t hashtag, why they don’t share. Even though they are in the #MeToo (who isn’t, they wonder?) – what does or doesn’t count as serious enough to stand up and claim your space? One woman writes in to an advice column that #MeToo is triggering, an additional reminder of her rape everywhere she goes. Some people are private about certain parts of their lives, and even a cause like #MeToo isn’t likely to fundamentally change the way they use social media, especially with a part of their lives they’ve held soft and dear, cocooned close, and told very few.

In fairy tales, the wolf is never really a wolf, and no matter what he says, “hungry” isn’t quite what he means. If a man kisses you when you’re sleeping or dead, he thinks you’re beautiful and you’re meant to be together. If you want love, give up your voice for legs: you can either call out, or run – but not both. Who needs either anyway . . . it looks like a handsome prince is headed your way. Perhaps fairy tales are an archaic and covert version of #MeToo.

In my novella, Girling, girls grow up in the contemporary world, but the narrative is undergirded with a reflexive use of fairy tales. They navigate their own desires, but those wishes and dreams have been planted, dusted into the characters’ psyches by the world-as-it-is. The two main characters, Kate and Ann, best friends and almost-sisters, meet wolves and princes and try to discern which is which; they are disobedient girls, and princesses, and evil stepsisters all at once. Kate and Ann realize that fairy tales re-tell these same stories over and over; the hardest part is becoming a queen, which is why there are so few fairy tales that tell a story after marriage –they’ll learn this too.

In one chapter of the novella, Kate and Ann are spending an adolescent summer in Acapulco. They are both fourteen, the time of transformation. Sirens appear. Multiple versions of The Little Mermaid appear. Older Kate intrudes with a line from Eliot. Older Ann’s husband appears to rush around trying to show Kate a manatee. In that summer of fourteen, Kate is exploring her transformation to womanhood, wishing childhood would be quickly done. She’s snuck a bikini into her luggage (something her father wouldn’t allow her to wear at home) – and when they visit the resort hotels, she escapes to the bar and pretends she belongs there. Ann holds on a little more tightly to the child she still is, not quite ready to shed that potentially protective skin. Ann is also protected by her unwillingness to be seen, a glamour of awkwardness. Kate thinks she finds a Prince, but ends up on a pebbled beach, with an insistent frog who never turns into the stuff of young girls’ dreams. Later, Kate will try to tell her mother about this: about desire and shame and what’s she’s learned about their twining.

Kate would be hashtag conflicted. She would worry that her experiences aren’t serious enough for a #MeToo. Sure, there was that thing when she was little, but they were both kids really, so does that count? Sure, there was that thing when she was fourteen and he didn’t listen when she said No, but they were pretty close and maybe he didn’t hear her, or couldn’t stop? There was another time that would absolutely count, but nothing happened in the end, because . . . well, nothing happened, nothing happened, nothing happened. Anyway, she’s fine. She’s lucky really. She worries more about Ann’s daughter, Luna; she worries about her.

I’ll be teaching contemporary women’s literature this spring, and I’m preparing my book order: Toni Morrison’s The Bluest Eye, Dorothy Allison’s Bastard out of Carolina, and Bonnie Jo Campbell’s Once upon a River.

I was talking with a colleague the other day, and he asked if I ever give a trigger warning for this class. These three novels all have at their center the rape of a child; the last time I taught this class, on the first day, I pointed that out to all the students. I told them why I chose these novels, why we needed to talk about these issues, and that I completely understood if they wanted to drop the class. That was a few years ago, the season of #YesAllWomen.

My colleague said, “But it’s a women’s literature class – do you really have to tell them you’ll be addressing the lives of women?”

It was Campbell’s Once upon a River that inspired me to write fiction in the first place, to try my hand at storytelling, moving from the forms of poetry, from the lyric and episodic, to the narrative.

In River, I met Margo Crane, a young female protagonist who survives, who stakes out on her own, learning to make her own way in the dangerous world, negotiating beast-men who could be alternatingly kind and cruel. If a woman’s love can turn a beast into a man, the tales suggest the opposite is also true. In that women’s literature class, I asked students to trace the underpinnings of fairy tales that moved through Margo’s story.

When my best friend, Carmen, to whom Girling is dedicated, had her daughter, I was driving in the car with her and her husband. They were talking about something – clothes, or toys, decorations, readying for her birthday party, and I was reading Cristina Bacchilega’s Postmodern Fairy Tales: Gender and Narrative Strategies. “‘Girling’is a continual process,” I said, looking out the window, their baby asleep in the car seat. Her husband looked at me blinking; Carmen laughed a little – I was always saying things like that, apropos of nothing it seemed. Later, I tried to explain. Girling is my fuller attempt to explain.

At the end of that women’s literature class, I asked students to reflect on the three novels we’d read together. The class was mostly women, only a few men. The women allowed as to how they’d been glad to read all three novels, Allison especially, although that had been a difficult read. A necessarily difficult read. It was beautiful and brutal. The men were mostly quiet in this discussion. During that season of #YesAllWomen, a hashtag had answered back: #NotAllMen.

In this season, some have begun to use #HowIWillChange to respond to #MeToo. Many men have pledged to call out harassment, to challenge sexist jokes, to demand better of their friends, to listen when women tell their stories. The hope is that #MeToo isn’t just a conversation among women, because we’ve been having that conversation for a very long time. Perhaps someone –some friend, brother, father, beloved (whether he imagines himself a prince, dwarf, or beast) saw a woman he cared about post #MeToo and thought: I had no idea. Really? Her? Her Too?

As for Girling, I hope some friends, brothers, fathers, beloved princes, and beasts will read the book. They may find themselves there.

The Teacher in April

Every April, I become profoundly tired.

Stacks of research papers teeter on my desk; my colleagues and I slog through hours and hours of standardized testing proctoring; the students are irritable and restless, and so am I. Every April, my mind hums with the same old question: What else could I be? What else am I qualified to do? I search the internet for job postings, but drift toward all the ones that sound quite a bit like teaching. Could I get paid to garden? Would someone employ me to hike mountains? Is it possible to work as a professional reader of books?

Yes, I could be a writer. Since I was nine, when I wrote rambling stories about a girl named Zoe who lived on a farm oddly like mine, I have yearned to be a writer. Not just someone who writes every once in a while, not just someone who writes in the precious early hour before work, but someone who, for a living, writes. My secret love has always been words and sentences and paragraphs. Stories.

Every April, my mind hums with the same old question: What else could I be? What else am I qualified to do?

But at twenty-six, drifting through Central America with a piece of paper that proclaimed me a college graduate and trumpeted the profoundly useful double major in English and religion (majors to which I had switched my sophomore year, romanced away from chemistry and math), I sighed, and became a teacher. The old adage mocked me: Those who can’t do, teach. I pulled the first stack of student essays toward me and began to read.

“Teacher” is the identity with which I am most uncomfortable. For fifteen years, I have viewed it as temporary. Someday, I say to whomever is listening, I’ll quit this job and write full time. I try to wake early to keep my writing discipline. I try to attend writing workshops, where a surprising number of people seem to have hours each day to write. I try to learn from others: at a “local author” book signing for Grief Map recently, I talked to two other local authors and grilled them on how they have made the jump into a full-time writing life. One woman told me: You just do it. You just jump. Right. Except jumping requires the confidence that the stories I’m trying to tell will translate to a living wage somehow, that we’ll be able to continue to do all the other things I love and value: travel, buy plants for my garden, eat out at restaurants, save for Mitike’s college education. Better to keep teaching.

This job, teaching, is cyclical. As soon as I sink to my nadir, in the first weeks of April, the end of the school year begins to shimmer in the near distance. At home, my plants begin to sprout in the garden.

A colleague told me recently, in response to my “Someday, I’ll be a writer full-time,” that someday I’ll admit that I’m actually a teacher at my core, and I bristled. He laughed. We stood in the echoing hallway, both of us holding armloads of papers to grade. Too often, I feel like a character in a Stephen King or a Kent Haruf novel—the jaded English teacher, correcting papers late at night, staring back at disengaged students by day, her own half-finished novel in a drawer because she has to plan lessons for this week and attend professional development and call the parents of every student who is failing and beg the district to give me adequate health care.

On PSAT testing day this April, I walked in circles around and around a room full of sophomores. In my monotone voice, I read the script: “You will only receive credit for answers recorded on your answer sheet . . . If you have any questions about testing procedures, please ask them now. I cannot answer questions during the timed sections of the test. . . .” I looked up. The sophomores held their number two pencils politely, but they were hearing nothing I was saying. They had heard all of these instructions before. Outside, a tree blossomed white, and the robins and chickadees announced spring. I thought, We are all trapped here. I told the students to just begin the test.

“Teacher” is the identity with which I am most uncomfortable. For fifteen years, I have viewed it as temporary. Someday, I say to whomever is listening, I’ll quit this job and write full time.

There are days when my job feels like one of the best possible jobs in the world. After all, I am free to plan my own time, to teach whatever texts I deem relevant, to engage roomfuls of teenagers in meaningful conversations about their lives. And every year, I reach a few students who needed to be reached.

This job, teaching, is cyclical. As soon as I sink to my nadir, in the first weeks of April, the end of the school year begins to shimmer in the near distance. At home, my plants begin to sprout in the garden: the peas and kale and broccolini and radishes I planted on St. Patrick’s Day, the perennial native flowers I planted three years ago. I store the skis and the winter coats; I spend an entire weekend digging in the dirt, carefully pushing mulch around greening plants. The delicate soft green leaves of the sage plant reminds me to have more empathy for my students, who are trying to thrive in soil and air that is not their native habitat. The delicate butter lettuce leaves tell me I need to bring those students more water, more peat moss and compost. On a Monday after gardening, I am always a better, more devoted teacher.

Every morning I make myself write is a little more amendment to the soil; someday, the writing life I imagine will thrive here.

But I still don’t believe I will be a teacher forever. It’s a stop along my way, no matter what anyone says. On the first weekend of April, as I sank my fingers into the newly friable soil I had created for my new herb garden, I made a mental to-do list of the writing projects I intend to finish this summer, while these plants are growing: the Anna Dickinson manuscript (finished, but needing major editing), the Colorado women place names project, the new collection of hybrid essays I want to begin on the wilderness and nature, the short story about the lockdown. Someday, someday, someday. The word is the rhythm of my spade in the Colorado clay. Every morning I make myself write is a little more amendment to the soil; someday, the writing life I imagine will thrive here.

For now, I’ll drive to work at a huge Denver high school, where I’ll grade two more papers before the bell rings, and then I’ll stand in front of thirty teenagers and tell them, “Okay, let’s start by writing a little.” It’s always about that, about beginning. And then, as the morning sun streams through the tall windows onto thirty heads bent earnestly over notebooks, pens scratching, then, for a moment—just before I take attendance—this is the perfect job for me, after all.

top photo by rawpixel on Unsplash

On NaNoWriMo

This month is NaNoWriMo, a month in which the question “What’s your word count?” separates Nanowrimoes from the rest of the world.

The word comes from fragments of the month’s title, National Novel Writing Month; the goal: write 50,000 words of a novel, forego more sleep than usual, win promotional prizes, and—well—have a novel draft you might not have had otherwise. Except for 1999, the inaugural year of NaNoWriMo, when the month was July, the month has been November.

To me, November has always seemed the perfect month for this—as fall sets in, as the garden dies in the frost, as the holidays and their attendant family drama loom, I am comforted by the prospect of sitting down in front of my laptop with my new novel idea and the straightforward task of writing 1,667 words each day (the word count one needs to maintain to achieve 50,000 words in the month of November). Note that the idea behind NaNoWriMo is not to publish a novel in a month, or to even write a good novel in a month. The idea is simply to write, and write, and write, until the word-count bar at the top of the NaNoWriMo.org account rises above 50,000 and a happy badge flashes onto the screen: “Winner!”

The idea is simply to write, and write, and write, until the word-count bar at the top of the NaNoWriMo.org account rises above 50,000 and a happy badge flashes onto the screen: “Winner!”

I’m a proud NaNoWriMo winner from 2011, 2013, 2014, and 2015. In 2012, I wrote 29,538 words and realized the novel was a novella, and was finished. Last year, in 2016, I wasn’t in a novel-writing mood, and I only wrote 6,921 words. But this year, I intend to win again. My current word count as of this writing? 17,060. Only a few more to go.

There’s a beautiful camaraderie to NaNoWriMo that I need in this Trumpian world. At local write-ins, we strangers sit next to each other at coffee shops and just write. Sometimes, we compete in “word sprints,” in which a leader sets a timer for, say, twenty minutes, and we all try to write as much as possible (my average in twenty minutes is about 800 words), but mostly we just write. And write. During breaks, we share the story we’re attempting, or we discuss ideas of what to do to a main character. We trade tricks to increase the word count: have the character write a letter, suddenly decide to tell the backstory, write a side story that is only loosely related to the novel—or write a column about NaNoWriMo and include the column in your novel manuscript.

NaNoWriMo is a sort of escape from the real world that requires me to wake up and drive to my job and put in my hours and drive home to help my daughter with homework and make my family dinner. For just one month, I get to give in to the frenetic energy of writing. And yet—it is not really an escape. Every year, I craft a novel I need to write. One year, I wrote a series of letters (what would become The Beginning of Us, which Riptide published in 2014) between two women who discovered they loved each other in college, because I wanted to know what would have happened if I had met Ali, who had just died, at an earlier juncture in our lives. Another year, dismayed by the way my students were sinking farther and farther into their phones, I wrote a science fiction novel about a dystopia in which the government barely needs to control the people because they are already controlled by their own technology. This year, horrified by Trump and the immigration discussion, I’m writing about a lockdown in a diverse city high school in the near future—a lockdown the main character, a teacher, begins to realize has been instigated by the U.S. government, which has declared a military state until sanctuary cities like Denver turn over their undocumented residents.

There’s a beautiful camaraderie to NaNoWriMo that I need in this Trumpian world.

At my real high school, I am one of the faculty sponsors of the school’s Writing Club, a group of students who meet on Thursdays at lunch to just write. In November each year, they all attempt NaNoWriMo, so each week, we discuss our word counts. They want to know how I’ve written so many words: I write, I tell them. Turn off the inner editor. Even if you hate what you’ve just written, leave it on the screen; let it be counted. After November, you’ll revise.

In the second week of November, our high school had a sudden lockdown at lunch—a real lockdown. At the time, I was meeting with the school’s Science Fiction/Fantasy Club (I am the faculty sponsor of the two coolest clubs at our high school), where we were discussing the 1958 film “The Fly.” Suddenly, an assistant principal announced over the intercom that we were in lockdown, and within minutes we had paused “The Fly,” locked the classroom door, and huddled in the darkness in the corner farthest from the windows. My heart was beating in my ears; one girl had begun to cry. Sudden, unplanned lockdowns conjure terrifying images: Columbine, Sandy Hook. A boy under the row of desks beside me dropped his book, and everyone in our room jumped. But then, softly, Jocelyn, a girl who is in both Writing Club and Science Fiction/Fantasy Club, whispered, “Ms. Campbell? Are you allowed to write during a lockdown? Because this is exactly what you are writing about! You could get more words.” Even under duress, NaNoWriMo possesses us.

And yet—it is not really an escape. Every year, I craft a novel I need to write.

The lockdown ended, the issue evidently resolved, and the bell rang. Strange. But my mind swirled with all the ideas I hadn’t considered for my novel. I hadn’t remembered, for example, that in a lockdown, we all have to cram into one corner of the classroom. I’d forgotten how the tension builds and builds with each minute. I’d forgotten the odd silence of the hallway outside. More words.

Every November, I meet other writers who want to get published and who wonder where they should send the novel they write for NaNoWriMo. There are many places to submit work, of course, but NaNoWriMo itself is not a publisher; it’s a kick in the pants; it’s a fire lit; it’s a reminder that no book will be published that does not get written.

I teach full-time; I’m a parent. I don’t actually have time or space to be a “real” writer right now. Or do I? At a writing retreat in New Mexico a couple of years ago, I attended a session led by a self-named “creativity consultant,” who specializes in working with women artists. One woman in the session complained, “I’ve got four kids and a full-time job. I do not have time to write.” The creativity consultant took a deep breath, looked the woman square in the eyes, and said, “Yes, you do. You have time if you make the time. Even just five minutes here, five minutes there.”

NaNoWriMo does not give me more time, but that word counter on my NaNoWriMo screen—and all the thousands of Nanowrimoes typing away across the country each day in November—remind me that I can make the time. And so I do, one word after another.

top photo by Thought Catalog on Unsplash

If Donald Trump Were Currently a Senior in High School

Feedback on Donald’s final semester research paper, from his English teacher:

Donald — While you have some interesting, unique ideas here, you have not always organized them in a way that makes your agenda or your principles evident. Also while you argue for change in the United States with great passion, you have not proved that any of the sources you chose to use in this paper are credible or relevant. You fall often into non sequitur, into sweeping generalizations and into ad hominem. Finally, you overuse the simple-sentence construction, and your frequent repetition is not often effective. Note my comments throughout your paper, as well as the rubric and the original outline for this research-based position paper. You have until noon on December 22 to revise this paper. If you do well on the reading/language portion of the final, you have a chance of passing this course with a D. Please do this! I look forward to reading your revision. — Ms. C.

***

The vocabulary list Donald refuses to study for his finals:

  • vulnerable
  • entitlement
  • diversity
  • transgender
  • fetus
  • evidence-based
  • science-based
  • climate change
  • Paris Agreement
  • emissions reduction

***

An email exchange between Mrs. Mary Trump and Donald’s social studies teacher:

Dear Mrs. Trump,

Thank you for your email. Donald is fortunate to have such a supportive parent in his life. I hear all that you are saying about your concerns about the school and about Donald, but I can only speak to the concerns you have shared about my U.S. History class. I’ve responded to your specific comments below:

Donald needs extra time on all assignments. He does not have one of those special plans, but his father has always paid his teachers to make allowances for him. His father would like to know what amount would be sufficient.

I cannot take bribes. Donald has turned in most of his assignments on time, but he has not met the expectations. When I’ve asked him to revise, he has said, “It’s not important. My GPA is already bigly. It’s the best GPA, ever.” Have you and Mr. Trump considered having Donald tested? He might benefit from additional support.

Donald feels nervous and afraid when he is surrounded by people who look and act different than him. He tells me that your class is full of immigrants from South America, Africa, and Asia. Can he be switched to a class where he will be more comfortable?

No. It is too late at this point in the semester (the last week) to switch classes. Also, I must point out that Donald is surrounded by students who bring fascinating stories from their lives; he could learn quite a bit from them. I know from a passing comment Donald made that you are an immigrant from Scotland, Mrs. Trump. If Donald could see that the immigrant students who sit beside him in my class are immigrants just like you, he might relax and begin to get to know them. Maybe you could encourage this mindset at home?

Donald told me that you encourage the students to criticize our great country. I would like to request that Donald be excused from these uncomfortable conversations.

Donald regularly quotes from sources like Breitbart and Fox News in his papers for me, and he argues regularly in class discussions that the U.S. should build a wall on our southern border and that we should obliterate North Korea with a nuclear attack. As his history teacher, it is my job to provide other perspectives; it seems particularly important for Donald. However, he usually puts in his earbuds or watches Netflix videos on his phone when he does not like the topic of discussion. It is not criticism of our country that I am encouraging, but responsible civic engagement. I’d love to see that in Donald.

Thank you again for your email, Mrs. Trump. If you have any more questions, please do not hesitate to contact me.

***

Transcript (from the video) of a restorative justice conversation between Donald Trump and five girls who have accused him of inappropriate behavior with them after a football game. To protect the girls’ privacy, we will call them by the randomly selected pseudonyms Jessica, Ivana, Jill, Kristen, and Lisa. Note: after this session, the mediator, Mr. Jones, recommended the administration expel Donald, file a Title IX complaint, and get the district legal involved immediately.

TEACHER: Okay, guys, we have brought you in here because you five girls want Donald to hear something, right? And Donald, you want the girls to hear something, right? Okay, you’re all nodding. Good. So let’s start with Donald, okay? Donald, why do you think we’re sitting here together this afternoon?

DONALD: Because my father’s lawyer made sure we did it this way.

TEACHER: Ah. That — might be true, but this is also one way we solve conflict in this school, and —

LISA: This is not a conflict. Donald stuck his head right underneath their skirts. How is that a conflict? It’s a crime. Donald should not be sitting here right now. He should be in juvenile detention, or wherever.

TEACHER: I hear you, Lisa. Look, let’s back up, everyone. We are doing this through restorative justice, okay? So Donald has two minutes to tell his side of the story, and then you girls are going to repeat back what he said. Okay? Go ahead, Donald.

DONALD: Well, we were all hanging out after the football game, in the parking lot, right? I mean, Mr. Jones, you did that, too, right? Hung out with girls in the parking lot after football games?

TEACHER: Um, yeah.

DONALD: Right, this is just locker room talk, right? I mean, I was hanging out with these five beautiful ladies in the parking lot, and we were dancing to some good tunes someone was playing, you know? And that’s it. I went home after that.

TEACHER: That’s it?

KRISTEN: Mr. Jones. Donald touched my vagina through my underwear. That is not what kids do when they are just dancing.

TEACHER: Um.

JILL: And Mr. Jones? Donald pushed me up against a wall, and had his hands all over me, and tried to get up my dress. I screamed, and luckily these girls came running to help me, and to pull me away. Luckily, we weren’t alone in the parking lot. Because you know what would have happened. Right?

TEACHER: Wow. Okay, let’s slow down a little. Donald, what did you hear Jill say just now?

DONALD: Honestly? I wasn’t listening. I was thinking about how I should have just grabbed her by the —

TEACHER: That’s enough. You’re supposed to listen. That’s how this process works. Please listen. Let’s hear what Ivana needs to say. Ivana?

IVANA: I was still finishing up with the other cheerleaders that night. But three weeks ago? To my friends, I referred to what happened that night as a ‘rape,’ but — we were dating at the time — I don’t know.

TEACHER: Donald?

DONALD: She says we were dating at the time? I can never remember which of these blonde hotties I’m dating when.

JESSICA: You do see, right, Mr. Jones? I mean, that night of the football game? Donald was like an octopus. His hands were everywhere. People have definitely been expelled from this school, with criminal charges brought against them, for far less.

TEACHER: Um.

DONALD: Are we done here? I’m meeting my buddies for lunch at Chick-Fil-A, and they’re texting me.

***

Documentation in the high school’s online records system, by Donald’s physics teacher, Ms. Sheridan:

December 15: Emailed Donald’s parents that Donald will receive a zero on the physics final, as he was 1) standing in the hallway during passing time and proclaiming loudly, “I could stand in the middle of this hallway and shoot someone, and they would still pass me in physics!”; and 2) boasting on Facebook, Twitter, and Snapchat that he had paid two students to allow him to copy their answers on the final exam; and 3) physically copying answers from the student sitting at the desk in front of him (in the video a classmate took, Donald stands at his desk so he can adequately see the other student’s scantron bubbles).

December 18: Called Donald’s parents, per request of the principal, to explain my reasons for giving Donald a zero on the physics final. Father asked how much it would cost for Donald to re-take the final, then explained he will sue the school. Mother said, “What kind of son have I created?”

***

Screenshots Taken of Donald’s Snapchat Story on December 22:

[image of a Mexican girl standing alone in front of the wall, looking up]: Ha ha ha can’t get in!

[image of five men in Chad trying to fill a plastic jug with brown water]: Why America is BETTER!

[image of ten dancing women bent over, backsides to the camera]: Yeah I’ll grab THAT!

[image of dead Sandy Hook teacher]: What I’d like to do to my English teacher

[image of a cat licking another cat’s anus]: JK! What I’d like to do to my English teacher

***

Email to Donald’s parents on December 22 (using mostly language from Article 2 of the U.S. Constitution, which explains the reasons for which a president can be impeached) from district superintendent’s office:

Dear Mr. and Mrs. Trump,

He may be entitled,

but

he had a choice: stay eligible? Or endure removal?

and he has devolved

the oath

Someday,

he may have power

to fill up all vacancies that may happen,

to judge

But today he shall be removed

for

the conviction

of

his crimes and misdemeanors.

Again: today he shall be removed.

— The Superintendent’s Office

top photo by Samantha Sophia on Unsplash