Afro YA Holiday Gift Guide: Black Fantasy Edition

Latonya Pennington recommends six YA fantasy series featuring Black protagonists this holiday season.

“Between the Lines” Is a Triumphant Follow Up to Bronx Masquerade

Latonya Pennington reviews BETWEEN THE LINES, a triumphant novel in verse follow-up to Nikki Grimes’s beloved BRONX MASQUERADE

“Forever Is Now” Is a Strong, Delicate, and Lyrical Reclamation

Latonya Pennington reviews FOREVER IS NOW, a complex and masterful YA novel-in-verse with a strong cast of supporting characters

“A Phoenix First Must Burn” Has Fiery Passion and Imagination

Latonya Pennington reviews A PHOENIX FIRST MUST BURN, a fascinating, fiery anthology of sci-fi fantasy short stories by Black authors

The Afro YA


The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence reviewer Latonya Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

National Poetry Month

National Poetry Month 2024

At Brain Mill Press, we like to celebrate poetry all month long by sharing featured poets, which we are excited to do again this year along with “reprise” poetry from some of our prior-year contest winners. We are also excited to announce a new collaboration with the Wisconsin Fellowship of Poets for a chapbook contest. The contest is open to all Wisconsin poets for an unpublished chapbook. Contest entries will be judged by poet Tracy Mishkin. The winning chapbook will be published by Brain Mill Press, with an expected publication date of Spring 2025.

 

BMP & WFOP Chapbook Contest Winners 2024

We announce the winners of the first WFOP and BMP chapbook contest for Wisconsin poets

It All Belongs to You: A Review of R. B. Simon’s The Good Truth

C. Kubasta reviews R. B. Simon’s THE GOOD TRUTH

Disgusted & Enthralled & In Love: A Review of Louder Birds by Angela Voras-Hills

C. Kubasta reviews Angela Voras-Hills’s LOUDER BIRDS, a poetry collection that engages ideas of home, the corporeal, life, and loss.

“Sisters Always Love Each Other the Most of Anybody”: A Review of Leslie Pietrzyk’s Silver Girl

C. Kubasta reviews Leslie Pietrzyk’s SILVER GIRL, a rule-breaking book about sisterhood that broke through Kubasta’s COVID-induced reader’s block.

We Are Made of Woven Memory Circles

On Raki Kopernik’s WE ARE MADE OF WOVEN MEMORY CIRCLES

My House of Mysterious Compartments

C. Kubasta reviews Tara Burke’s ANIMAL LIKE ANY OTHER

#SaferAtHome or #AloneTogether Reading: Poetry When We’re Craving Proximity

C. Kubasta reviews CRUSH by Richard Siken and THE DEAD ANIMAL HANDBOOK, edited by Cam Awkward-Rich and sam sax.

So Much of a Mother Is Liquid

C. Kubasta reviews Callista Buchen’s poetry collection LOOK LOOK LOOK.

A Lean-To Upon a Once-Was

C. Kubasta reviews Paula Cisewski’s poetry collection THE THREATENED EVERYTHING.

The Negative Space of the Page

C. Kubasta reviews Emily Bowles’s poetry collection HIS JOURNAL, MY STELLA.

Prove Something Happened

C. Kubasta reviews Sara Ryan’s poetry collection, NEVER LEAVE THE FOOT OF AN ANIMAL UNSKINNED.

portaging

Portaging celebrates new writing from the Midwest with a particular focus on experimental and hybrid work from small presses.

C. Kubasta writes poetry, fiction, and hybrid forms. Her most recent book is the short story collection Abjectification. She supports her creative work as Director of Education at Shake Rag Alley Center for the Arts in Mineral Point, Wisconsin. Find her at ckubasta.com and follow her @CKubastathePoet.

Makers on Making

Makers on Making features printmakers, writers, knitters, crafters, painters, photographers, textile artists, and anyone else involved in art. These pieces delve into the psychology of making, the lessons we learn from success and (often more usefully) failure, and what it is to be a human authentically and emotionally involved as a maker in our world.

The Clash of the Titans: Beading, Art, and Incarceration

Writer Michael J. Moore on the power of art in incarceration.