Quiz: How Well Do You Know Your Colonizer?

1. When your co-worker sees a book on your desk she:

A. acknowledges that you readB. tells you she doesn’t read books about oppressionC. exclaims that she is reading a book about a black man who was wrongly accused of capital murder in the 80s and 90s.

2. When said co-worker tells you about the plot she:

A. tells you that a white man accused him of murder due to childhood rivalry and wants you to be shockedB. is astounded that the character in the book maintains his already positive outlook while in jail and makes his environment work for himC. is upset that none of the white people stood up for the black “criminal” even when he gave an award-winning speech.

3. When waiting for you to reply to this one-sided conversation do you:

A. suggest your co-worker pick up a history book and find a part in history where the minority actually wins (it’s never)B. roll your eyes when she asks you if you know about the book and the person it is aboutC. agree that everyone should read this book (because said co-worker is now culturally woke to the struggle)

Answered Mostly A’s

Colonization has made them supreme.

Answered Mostly B’s

Jail cell occupancy is based on the amount of minority student who fail state testing in the 3rd grade.

Answered Mostly C’s

Once a month, white supremacists gather in the middle of the country to plot their next move.

Top photo by Christina Morillo on Pexels

“What if we took all this anger born of righteous love and aimed it?”

—Ijeoma Olou, “We women can be anything. But can we be angry?” Medium.com

ANGER showcases essays and poetry featuring well-aimed anger from femme writers, writers of color, LGBTQIA+ writers, First Nations writers, and disabled writers.

Teacher Torture

I.Normally I sit up frontBut for this classI sit all the way in the back,In the corner.It’s hard for me to see the screenBut it keeps me out of sight& I have a good pulse of the roomIn case the spirit catches meAnd I decide to participate

This happens oftenAnd lately, I notice my professorMisunderstanding my answers,Avoiding eye contact with me,Praying someone else’s hand goes upBut no one’s hand is upAnd no one can see my hand up in the cornerShe sighs, “fine, Valencia”

All eyes turn to me,& I thought I deserved a seat in the classroombut the Brown decision is still a myth.I’m not a threatI’m a studentwho just wanted to take a shot.Statistics don’t intimidate me,I’ve been fighting not to be onemy whole life…But I guess she’s fighting harderjust to stand teaching meI hear her sigh againAnd wonder why she’s so tired of me

II.I’m getting more and moreTired of this womanSlide after slideShe guides membersOf the cohort through statisticsAs painlessly as possible

But after hearing it for the third timeIt’s finally starting to make senseThe gears are turningAnd I power through the exerciseWith my peers

The class reviews,We get to a question and the classIs quite stumpedAfter a few minutes of no responseMy hand slowly creeps into the air“Jasmine,” she says.While looking right at meAlthough Jasmine is also black,She’s on the other side of the roomAnd her hand isn’t raised.

III.I sit quietly waiting for herTo realizeShe’s confused the twoBlack women in the classAnd sit puzzled,Wondering if this is reality

After an awkward silenceShe is corrected byAnother student…The tension in the airMakes it hard to breatheshedoesn’t apologize.I guess she didn’t mean tohurt mebut her intent doesn’tinvalidate her ignorance

She asks me to speak,& like clockworkthe answers flow out of methese words are the thoughts in my head,the air in my lungs

Although it’s a guess,I think I’m on the right trackBut when I speakYou don’t hear me,You don’t even know my name

IV.After calling on otherStudents,She finds herself repeatingMy syntaxI’ve zoned out of this sessionBut I hear“Valencia was actually right”

and it snaps me out of my hazeand into a rage becauseShe doesn’t speak my language,She doesn’t understand my mind

She turned my academic sanctuaryInto a torture chamberJust by simply being in it

The original appearance of the poem is in two columns.
The original appearance of the poem is in two columns.

Top photo by rawpixel.com on Pexels

“What if we took all this anger born of righteous love and aimed it?”

—Ijeoma Olou, “We women can be anything. But can we be angry?” Medium.com

ANGER showcases essays and poetry featuring well-aimed anger from femme writers, writers of color, LGBTQIA+ writers, First Nations writers, and disabled writers.

OMFG

In an average lifespan a person invests a year looking for the things they’ve forgotten.

9 august 2017

Those who have laboured, night and day, Monday to Friday, on their unhappiness are right to lick their chops over it as much as they do.

11 august 2017

In the contorted bookkeeping of the broken, the distance you hold yourself away from them is your only value.

12 august 2017

TFW YOU WANT TO FUCK WITH THEM FROM NOW UP INTO FOREVER, but all signs and wonders, Urim and Thummim, emails and texts, no email no texts, using the good-got-damn-sense your mother gave you not the repeating the mistakes your father braided, tell you to keep things cute and quick. ¡Presta atencíon!

No exit interview no two weeks notice.

Numbers 31:19

Anyone who has killed any person or touched the slain must stay outside the camp seven days. Clean yourself and your captives.

did you clean yourself

you who has touched

who has violated my pen

has salted my tongue

drugged my drink

slain with the blade

of lack of empathy

a ladder like love leans

outside of time

goes up and down

through the same insistence

Easier to be angry than afraid, easier to brace guilt rather than test sick with intimate.

Top photo by Nicole Mason on Unsplash


“What if we took all this anger born of righteous love and aimed it?”

—Ijeoma Olou, “We women can be anything. But can we be angry?” Medium.com

ANGER showcases essays and poetry featuring well-aimed anger from femme writers, writers of color, LGBTQIA+ writers, First Nations writers, and disabled writers.

Trishula

Lal Qila

Red engenders everything.

When enraged, we see red.

It is the color of blood, of rage, heat.

Scarlet is marked as lustful, indicative of adultery, if we were to listen to Hawthorne.

JudeoChristian hegemony marks it as corporeal, sinful, lustful, degraded.

I reject that.

Red is the color of blood, pumping in our veins. It is the hue of love at first bloom, of hot pink cheeks, sweaty palms, lips swollen and chapped after hours of kissing.

It is the color of fresh neck contusions.

Blush, indeed, the portmanteau of blood + rush, the flushing of one’s cheeks after thinking of one’s lover.

It is the hue of my wedding dress, seven steps circled around a fire.

Those vows changed everything.

It is sindoor in my Thakurma’s hair part, on her beautiful forehad, on ma and jethi and kaki’s too, signifying their shaadi bonds.

It is my red wedding bangle, nestled between two reed ones.

It is the deep burnt hue of my shaadi ki mehndi, lacy adornments on my hands and feet.

They held secrets, you see, his name was on both hands.

It is the sign of life, flowing out of my body, shedding possibility of life, with the lunar cycle.

It is the color of menses, sad cephalopodesque clumps flushed away.

It is our eyes, sore and tired after comprehending rejection.

(I should have gotten that tenure track job. I wish we had been pregnant. I lost both.)

It is the color of my Kali Ma’s tongue, signifying victory in battle, ruby droplets on the edge of her trishule.

Jai Mata Di.

It is the deep ruby hue of the root chakra. Muladhara signifies safety, grounding, rootedness, survival.

And inflammation that needs healing.

It is the lucky hue of wedding dresses, globally.

These predate Victoria’s bossy, boring, basic British Becky taste.

Dirty, colonizing beast. Who was “unsivilized” again? At least we bathe, bitch. Lotas and bidets and amla and shikakai and nariyal 4ever.

Red lights signify “halt” or danger ahead. Coupled with blue and white, they signify nationalism and bacon.

FTP.

Reclaim the laal, crimson, rojo, maroon, scarlet, ruby, sanguine.

For the gore gwei lo gueras pakehas it means ruskies or gorbachev or yellow peril.

For us it signifies revolucion.

It is Fenty Stunna lip paint.

#Rihanna #BBHMM

It is M.A.C.’s Ruby Woo and Russian Red and Viva Glam IV and Urban Decay’s shame.

It is life, love, heat, breath.

Fright Night

Do you like being scared by books, films, and surprises? Describe the sensation of being scared, and why you love it — or don’t.

Fear is profitable. Fear operates on the assumption of power inequity. For some, fear is thrilling. To most, fear is undesirable. To walk into a movie theater, to watch a film about fear, without fear of being murdered, is a privilege. To make films or write about fictional narratives centering fear is a privilege. Since we have an orange, egomaniacal narcissist as our current POTUS, I am in a constant state of fear.

Fear is profitable. Fear operates on the assumption of power inequity.

We celebrate Stephen King’s oeuvre of fear. We revel in the discourses of Scream and I Know What You Did Last Summer. We hunger for the phantastic Dementors, revolted by Voldemort but also fascinated by the Death Eaters. Jordan Peele recently penned and debuted the brilliant Get Out, an astute commentary on the cultural hegemony of whiteness, of the traumas of colonization and infections that whiteness and conspicuous consumption and the quite literal “eating the Other” has on marginalized communities.

I hate being scared by real life, actual, worldly surprises. I know some people revel in the sensations of fear and relish spine tingling and gut wrenching, but I am not one of them. When I get scared, I go into shock. I retch. I shit enormous amounts of fecal matter, several healthy, runny bowls worth. I dry heave. And worst of all, I get cold. My body shuts down. No matter the time of day or temperature, I need to crawl into bed, covered by multiple blankets. Ideally, my husband is nearby to tuck me in. Ideally, my cats are nearby, burrowing under the duvets with me, purring on me for comfort. They know. Animals always know.

My latest brush with gut-wrenching fear took place on October 7, 2017. I received an email that was time stamped 7:55 AM, PST. It was supposedly from one Cheryl Merryfield. The email was poorly written. Cheryl claimed to be formerly known as Brian, formerly a cishet white dude bro working at a construction company. Cheryl supposedly had a cousin named Heidi who took a gender studies course at an unnamed University. Cheryl was writing to thank me for teaching about toxic masculinity and white male privilege, as they had seen the light and were changing from Brian to Cheryl and wearing wigs, fake eyelashes, taking hormones, and attending protests. Cheryl wanted to know my thoughts on all of this. The tone walked the fine line between mockery and contempt.

A less astute person or intellectual might read it as complimentary, an invitation to self-congratulate. Alarm bells rang for me, though. There was nothing specific about the email or my courses, which do address white privilege, toxic masculinity, and gender politics. I surmised, correctly as it turned out, that this kind of email is usually part of a wider phishing or scam net. I suspected it was the kind of drivel produced by the scum-sucking rodents at 4chan and Reddit, perpetuated by the far right, the alt-right, Men’s Rights’ Activists, and Pick Up Artists. My husband, a straight cishet white computer scientist, looked at the headers and told me the message was from a Russian (!!!) server.

I do not have the privilege of safety. I did what any vulnerable nontenured person would have done… I made sure to tell them I was scared for my safety and well-being.

My work email address may have been scraped at random from the web. I do not speak to newspapers about my political opinions; I am not safe. I do not have the privilege of safety. I did what any vulnerable nontenured person would have done: I sent it to my department chair. She then sent it up the chain. I could not wait for their responses. I sent the message to two deans, the associate VP of academic affairs, and re CC’d my chair. I made sure to tell them I was scared for my safety and well-being.

One must be careful when sending out emails like this, if one occupies a precarious position in the academic industrial complex’s unsteady food chain. One needs to tone police oneself. Be humble but deferential. Be firm but polite. And always, always make oneself invaluable to the space. I have been a lowly adjunct for over half a decade, my teaching labor overlapping with finishing my dissertation. My one attempt at a tenure-track position was self-sabotaged by my lack of a curated publishing archive. How can one publish when one is teaching ten classes a year simply to survive? Publish or perish, indeed. For a die-hard tenure advocate, I’ve died, lost in the mise en abyme of the academic industrial complex.

One needs to tone police oneself. Be humble but deferential. Be firm but polite. And always, always make oneself invaluable to the space.

For the teaching purist, I have thrived, earning countless devotees who enroll in everything I teach, hundreds of accolades and glowing reviews, and winning every campus grant I’ve applied for with the hopes of increasing my department’s visibility. But I digress. After I sent the scary email up the chain, I got notification of a Facebook login attempt. I was on the phone with my husband while this happened. The fear elicited nasty physical reactions. The dry heaving, chills, rumbling bowels, liquid excrement. My poor bidet got a lot of action that day.

My dear husband stayed on the phone with me while I screenshot the login attempt, locked down social media accounts, changed passwords, set up two-step authentications, sent another panicked message up the food chain. He stayed on the phone with me while I crawled into bed and shut down. He stayed on the phone while I dozed in and out of consciousness. He booked a ticket from Maryland to California, coming in the next day. He has always claimed to find my snoring to be soothing, as he reads snoring as a sign of deep and full sleep. The last time I was in shock with him was when I destroyed my ankle. This was long before we were engaged or married. He took care of me for three days. (Take note: marry the person who loves it when you snore, who tucks you in bed when you are in shock, who helps you bathe and dress when you can’t walk, who cleans up your vomit, who takes on care work without comment.)

Campus police and IT determined the email was “not a threat” and came from a Russian email server, similar to Google. They advised us to not reply. I thought, no shit. There would never be any reason for me to respond to any sort of email like that. My fears were disturbingly assuaged when I was told that a colleague received the very same email. I phoned her when I found out. It was comforting to know we were not alone, but we were still uneasy. When news of the email spread to others in our department, one person replied that they get goading, inflammatory messages like that all the time, inviting response. That person keeps them in a file.

I read their response to the incident as contemptuous. I don’t know if they were minimizing my fear. It doesn’t matter anyway. The net result has been shutting down for several days. It is now October 10. I have not slept well since the incidents. I don’t know how I managed to lecture on Monday morning; the topic was Elaine Brown’s leadership in the Black Panther Party and narratives on internalized misogyny and patriarchy within social justice spaces. We were connecting Brown’s depictions of violence to what transpired with Angela Davis and the prison industrial complex, the American Indian Movement and the words of Wilma Mankiller, the life and death of Annie Mae Acquash, and the work of Asian American students at UCLA.

Patriarchy is rooted in violence. Internalized misogyny within communities of color is the worst of all.

Patriarchy is rooted in violence. Internalized misogyny within communities of color is the worst of all. It is a death drive. I am well-aware of the times we live in. Since 9/11, those of us who live in the intersections of Islamophobia, anti-Blackness, xenophobia, anti-immigrant sentiment, we have to walk every day under surveillance. We are policed in a myriad of ways. We have to be mindful of everything we say. We do not have the luxury of boredom, relaxation, or free self-expression. If you are a woman of color, the surveillance is amplified time and time again. If you are an academic, it is unbearable. The temptation of celebrity feminism, the thirst for public recognition as the means to success within a capitalist narrative, is destructive. I do not tweet publicly. My Twitter account has always been private. I use it to practice brevity.

I do not feel safe being a public figure. My Instagram is a curated archive of food photos, sunsets, cat and dog pictures, and celebrations of friends’ joy. Mine is remarkably devoid of selfies, because I fear being in front of cameras, even my own. Privately, I take selfies to remind myself that I am not a monster, even though white beauty standards would have me believe otherwise.

Me? Let me be. Let me write. Let me do my work. Let me teach my classes. Let me be with my family and friends.

It is the fear of the external gaze that I loathe most. Michel Foucault wrote of “le regard,” the penetrative lingering ocular moment of visuality, reserved for medical purposes and scientific, surveillance performed by guards and captains, nurses and jailers. bell hooks wrote of the “oppositional gaze” taken up by Black women spectators claiming their agency, those consumers of public and visual culture whose ancestors were denied the right to look back at their masters, in the context of the colonial slave plantation, of hegemonic whitewashed popular culture. Some get off on being watched, the narrative or fetish of voyeurism and exhibitionism that are so valued in what we deem as raunch culture.

Me? Let me be. Let me write. Let me do my work. Let me teach my classes. Let me be with my family and friends. Let me be free from unimportant and superficial interactions. Let me process my rage and pain and let me speak to it through the classroom. Let me survive in my cocoon of literacy and sleep and love.

Le Mepris (on contempt)

I find myself riddled with contempt.

I feel it seeping into my bones, soaking into all of my cells, and then leaking out into the world, through the snarky things I say or think or feel.

I am deeply contemptuous of things I deem inferior, or not worthy of my time. I am deeply contemptuous of white people who do not understand colonization.

I wonder, how could they, meaning the eurotrash mayonnaise populace of the globe, deem me and my ilk, as less than, simply because of our gorgeous black and brown skin?

I have contempt for the snaggletoothed fools who benefit from those legacies. I look at their pasty, dough-colored bloated bags of skin and bones and think, their mouths look like 17th century graveyards.

I feel contempt for X, a city rife with murder and violence, 3000 miles away from our beautiful Los Angeles, that has taken my beloved husband away from our bed and home and cats for 24 months.

I feel my lips curled in sneers around my own teeth, perfected after years of Amreeky orthodontia, and my body is flooded with heat and blood and rage.

Feeling contempt rush in is not always bad.

The worst is coming across people who attempt to tap into empathy, who want so desperately to help, who perform friendship or advocacy or allyship, but then who actually feel nothing, and then who feel guilt.

Your guilt is not my problem.

I am contemptuous of hyper-religious zealots, so encapsulated by their own myopia that they choose not to acknowledge the sheer, utter disbelief on my face when they tell me of their volontourism, of their journeys to the global South, to “sivilize” the “savages.”

I am contemptuous of entitled dude bro nontraditional undergrads who equate chattel slavery with indentured servitude. Not. The. Same. Thing. Bro.

Your history is taught as a requirement. Mine is taught as an elective. That is the height of hegemonic privilege.

Contempt is heady and addictive.

It is expressed asymmetrically, through the lifting of an eyebrow or the curl of a lip into a sneer. It makes my hands sweaty and my heart beat fast.

I have to reserve the full expression of my contempt for only one person, my best friend, who understands and does not judge, or if she does she doesn’t express it.

I cannot fully express my contempt to my husband, for he will be upset.

He, who is sweet and calm and so kind and loving, does not find value in expressing contempt.

But he is the beneficiary of white male science professor privilege.

He can be contemptuous and be rewarded.

I have to ask, why are we taught to disregard contempt? Why is the expression of it only reserved for those who hold hegemonic power?

In a capitalist system, the distribution of wealth is not equitable.

The owners of means of production are not given fair shares. The profits are always maximized.

I have earned the right to be contemptuous.

I have earned the right to bristle at injustice.

Generations of epigenetic trauma remain encoded inside me.

The expression of contempt must be cautious.

It must be kept under wraps, away from the prying eyes of panopticon guards.

Bentham and Foucault’s predictive models extend into the world of social media.

I fear the wrath and consequences of fully expressed contempt.

I fear the internalization of it, as it affects my health and well-being.

I am contemptuous of those who do not or cannot feel.

We are encouraged to not pay attention to our bodies, to heartbeats or sweat beads, or tears.

top photo by Jeremy Wermeille on Unsplash

“Lal Qila” photo by ian dooley on Unsplash

“Fright Night” photo by Ian Espinosa on Unsplash

“Le Mepris (on contempt)“ photo by Steve Johnson on Unsplash


“What if we took all this anger born of righteous love and aimed it?”

—Ijeoma Olou, “We women can be anything. But can we be angry?” Medium.com

ANGER showcases essays and poetry featuring well-aimed anger from femme writers, writers of color, LGBTQIA+ writers, First Nations writers, and disabled writers.

asphyxiation

breathing was a lung-diamond, encrusted with a drowning metaphor

swarming urchins, coral-glistening, not dead, not white, not yet

so what needle destroyed this wet ghost, I’ve entrusted my closest friends

with a spindle, a wheel of all my bad decisions, here the line is long

a thread, thin around my neck, I couldn’t exhale even if you paid me.

This world wants me dead, but I cannot die, my brown body resurrects

Too many times to count, I’m bound my steel wire, wading deeply

In cold rivers, this nasty James River is choking out all my goodness

What innocence remains what white-tipped and pure

Though I couldn’t tell you what grew in the forest

Or what shiny new toy they put at my feet

Listen to the breathing          one          two          one          two

Choke out alibis, sift through white deities’ nerves

Their wings are silver-slicked & slicing my skin

I conjure up old verses, Spanish chants and curses

But here we go, they put the bag over my head

Burn the witch, burn the witch, queer embodiment

Of everything a universe missed in historical context

I’m lifting up out of the water

Pure, holy, un-disturbed, waiting for another moment

Before I finally catch my breath.

top photo by Tim Marshall on Unsplash


“What if we took all this anger born of righteous love and aimed it?”

—Ijeoma Olou, “We women can be anything. But can we be angry?” Medium.com

ANGER showcases essays and poetry featuring well-aimed anger from femme writers, writers of color, LGBTQIA+ writers, First Nations writers, and disabled writers.

(level eye) | (eye level)

There is no handheld happiness because existence triggers trauma. The pupil peels plastic papers from wilted water-bottles; the retina rummages through sixty shades of sepia and sorrow, trusting translucent temptation. Options oscillate between burden, beauty, burden. They never make much sense to those who like to misplace gunshots and cumshots in your cornea. A teal-shaped tear follows the Summer Azures north; it exists only to evaporate by the last lavender mourning. Winter’s cold — sweat carves out a capacious canyon in the body, erosion manifests its destiny. One five-liter box of expired Franzia sears sobriety into your sclera. The twinkle of twilight traffic unclogs the air and cascades of cold, in the midst of shower mist, begin to heat and heal. Devoutly, the atmosphere devours the depths of your demons. 阿威啊, unbeknownst to your uterus for another thirteen therapists and billions of Brokelyn brownstones, the brittle boy with hardened hands will hold you until your eye understands: My scars are proof of my will to live.

(level eye) | (eye level)

live to will my of proof are scar my understands eye your until you hold will hands hardened with boy brittle the brownstones Brokelyn of billions and therapists thirteen another for uterus your to unbeknownst 阿威啊 demons your of depths the devours atmosphere the devoutly heal and heat to begin mist shower of midst the in cold of cascades and air the unclogs traffic twilight of twinkle the sclera your into sobriety sears Franzia expired of box five-liter one destiny its manifests erosion body the in canyon capacious a out carves sweat — cold Winter’s mourning lavender last the by evaporate to only exists it north Azures Summer the follows tear teal-shaped a cornea your in cumshots and gunshots misplace to like who those to sense much make never they burden beauty burden between oscillate options temptation translucent trusting sorrow and sepia of shades sixty through rummages retina the water-bottles wilted from papers plastic peels pupil the trauma triggers existence because happiness handheld no is there

Top photo: Traffic Mist on PxHere


“What if we took all this anger born of righteous love and aimed it?”

—Ijeoma Olou, “We women can be anything. But can we be angry?” Medium.com

ANGER showcases essays and poetry featuring well-aimed anger from femme writers, writers of color, LGBTQIA+ writers, First Nations writers, and disabled writers.