“O Villain, My Friend,” “A Song for New Orleans,” and “Would a farm and a frigid river be fitting for a girl?”

by | Mar 31, 2020 | National Poetry Month, NPM 2020, Poetry, Reading

“O Villain, My Friend,” “A Song for New Orleans,” and “Would a farm and a frigid river be fitting for a girl?”

Poetry Month Selections

We are delighted to present this week’s selections from the Brain Mill Press Poetry Month Contest. We have received a lot of wonderful work via our submission portal, and these pieces by Anne Marie Wells, Maya Richard-Craven, and Rebecca Weingart stood out.

We hope you’ll enjoy these editors’ picks as much as we did.

O Villain, My Friend

by Anne Marie Wells

Obscure stranger,
O villain,
could we, for a moment,
even on an odd day,
an unholy day, take our right eyes from the cross hairs
and right pointers from the precipice
to acknowledge the thirst in one another?
I admit I’ve been a scoundrel opportunistic in my malice,
and I am so thirsty,
like you, your mouth a salt lick.
I have no sand left, and
if your camel pride can wait no longer,
could you touch your hand to mine?
My left, your right,
joined at the little fingers
to evolve from weapon-wielding mercenaries
into a single, dainty cup
from which we both
can drink.

Jareen Imam author photo

​Anne Marie Wells (She/Her) of Hoback Junction, Wyoming, is a queer poet, playwright, and storyteller navigating the world with a chronic illness. In 2015, she published her children’s book, MAMÃ, PORQUE SOU UMA AVE? / MOMMY, WHY AM I A BIRD? (Universidade de Coimbra). She earned first place in the Riot Act Regional New Play Festival in 2017 for her play LOVE AND RADIO (AND ZOMBIES… KIND OF) and earned second place in 2018 for her play, LAST. ONLY. BEST. In 2019, the Wrights of Wyoming judges blindly selected four of her theatrical works for the statewide play festival in Cheyenne. In 2020, her play LAST. ONLY. BEST. was selected for publication in The Dallas Review, and her 10-minute play THE DOOR will appear in The Progenitor Art & Literary Journal.

An avid storyteller, she performed in and won several Cabin Fever Story Slams and was selected by The Moth to perform in a ‘Main Stage’ event in Jackson Hole, Wyoming, in 2019.

Anne Marie’s poems have appeared or will appear in In Parentheses, Lucky Jefferson, Unlimited Literature, Soliloquies Anthology, Muddy River Poetry Review, Variant Literature, Poets’ Choice, Meniscus Journal, Changing Womxn Collective, and The Voices Project.

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A Song for New Orleans

by Maya Richard-Craven

Each street is covered in mud,
stray dogs search for their owners bodies
they toss and tumble through the wreckage
like dendrites, millions
of branched extensions pile in the streets
a nightmare from hell. Blue gray
bits of flesh become one with murky water.
The population size diminishes down
to the size of a single axon,
the stadium its terminal.
Black arms above rooftops, seeking a signal,
a recognizable sound, of no one is coming,
capillaries at fingertips lose their color.
When the waiting sleep, it is in waiting.
When given refuge, it is in waiting.
Children make finger guns amongst
each other, emulate officers
in black and blue who refuse
to come and get them.
Like cell walls,
New Orleans is permeable.
Cells walls protect
organelles of the cell
but sometimes water gets through
and when it does the ark is flooded
and the animals run loose
or fields are flooded and
people start to drown
having waited atop rooftops
black arms raising in the air
waiting for someone, anyone,
to come and stop by
so the children keep playing
making finger guns but
the men in black and blue
the men with guns and power
they don’t come
so the blood continues to run.

Jareen Imam author photo

Maya Richard-Craven is an American journalist and poet, who has opened for California Poet Laureate Dana Gioia (2013), and has spoken before the USC Board of Trustees (2015).  Her work has appeared in New York Daily News, The Daily Beast, USA TODAY College, and The Hollywood Reporter. In 2014, Richard-Craven was named best college columnist by The National Society of Newspaper Columnists.

Would a farm and a frigid river be fitting for a girl?

by Rebecca Weingart

I see myself up there
by the bridge that sways
over the frozen lake.

Winters so long
you forget spring is coming.

This is where you choose to live.

Keep driving north and you’ll find it.

I once bought 2 lbs.
of cranberries
at a farmers market

in late fall.

I’ve driven to the nearest rental video store
in the snow. You drove to the nearest rental video store
in the snow.

We listened to the same song and heard two different lyrics.

You’re making me feel like I’ve never been wrong.
You’re making me feel like I’ve never been born.

I wanted to have never been wrong.
You wanted to have never been born.

———

Note: Title is from poem 3.14 by the Roman poet Sulpicia, translated by me. “You’re making me feel like I’ve never been born” is from the song “She Said She Said” by the Beatles.

Jareen Imam author photo

Rebecca Weingart is a high school English teacher in St. Louis, Missouri. She is an MFA candidate at University of Missouri-St. Louis and has a poem published in NonBinary Review. She can be found on Instagram and Twitter as @antbeea.

National Poetry Month

BMP Celebrates National Poetry Month

For this year’s National Poetry Month at BMP Voices, we seek to celebrate the ways in which we’re interconnected — highlighting community, gratitude, and the ways in which creativity redounds upon itself, fed by collective energy and goodwill. Our fee-free contest is open to all styles and forms of poetry, with an eye toward our mission of discovering voices that are immediate, immersive, and urgent. Poems inspired by the work of others are welcome. We also welcome poems written to other poems or poets.

“How To Be Remy Cameron” Explores Identity with Complexity and Care

by | Mar 10, 2020 | Book Review, Identity, LGBTQIA+, Music, On Books and Writing, Racism, Reading, Representation, The Afro YA

“How To Be Remy Cameron” Explores Identity with Complexity and Care

When other people define you based on labels, it can be hard for you to define yourself.

This is the conflict at the center of Julian Winters’s second novel, How To Be Remy Cameron. After being assigned an essay about who he is, seventeen-year-old Remy Cameron must come to terms with the labels others have given him and how they fit into how he sees himself.

For Remy, the most suffocating labels are the gay kid, the Black one, and the adopted child. Each label is a reminder of his Otherness, and confronting them via an essay that’s worth half his grade and a chance at a prestigious college is overwhelming—as it would be for anyone who has attended public high school. In fact, Remy feels so overwhelmed that he refers to the essay as “The Essay of Doom.

When other people define you based on labels, it can be hard for you to define yourself. This is the conflict at the center of Julian Winters’s second novel, How To Be Remy Cameron.

While dealing with this essay and the labels placed upon him, he also experiences two life-changing events. The first is learning about a previously unknown member of his biological family. The second is crushing on Ian Park, a Korean young man who recently came to terms with his orientation and isn’t publicly out. These events are notable not only in terms of character development but also because they deliver refreshing storytelling.

As a reader, I really appreciated how Remy isn’t completely cut off from his biological family. Given that the book’s premise is about identity and his adopted family is white, it would have felt uncomfortable not to see him interact with any other Black people besides one of his friends. The biological family member who reaches out to Remy is wonderfully fleshed out, becoming a nice confidante while being her own character. Furthermore, the topic of adoption is explored in a sensitive and realistic manner through Remy’s adopted family and his biological family.

When it comes to Ian Park, Remy’s crush and their subsequent romance is both amusing and heartwarming. A particularly enjoyable aspect of their interactions is how they always ask each other permission to kiss and touch each other. Remy learns to do this from Ian, who in turn learned the importance of consent from his grandmother. It’s really nice to see Remy adapt to Ian’s needs this way, especially since Ian isn’t publicly out yet. Remy never tries to get Ian to do anything before he is ready to, and this allows Ian to explore his orientation at his own pace.

In addition to these events, other aspects of the storyline help Remy question his identity further. One enjoyable scene is a conversation about music tastes between Remy and Brook, another Black student. It moves from talking about their favorite music artists to how eclectic their tastes are and how music doesn’t define them. The dialogue shows how close the two are as friends while giving Remy a small nudge in his personal journey.

Speaking of friendship, Remy’s interactions with his circle of friends are fun to watch. Featuring the witty Lucy Reyes and the single-minded Rio, among others, their dialogue never sounds forced or too cheesy. Remy and Lucy’s scenes together are especially amusing, because Lucy teases Remy in a way that is friendly and supportive. At one point, Remy must learn not to keep his friends in the dark too much, and it’s touching to see friendship and romance given an equal amount of weight.

All in all, How To Be Remy Cameron is a thoughtful, poignant, and fun coming-of-age experience.

Other notable characters include Remy’s adoptive family and his English teacher, Ms. Amos. Remy’s adoptive family is quirky and loving, with the mom into 80s music and the father able to make wicked French toast recipes. As the book progresses, both realize that while they can listen to Remy and try their best to cheer him up, they aren’t always going to be able to help him through certain things. Meanwhile, Remy’s English teacher is wonderful and honest in a way that puts things in perspective for Remy and encourages him to find his own voice.

All in all, How To Be Remy Cameron is a thoughtful, poignant, and fun coming-of-age experience. While self discovery isn’t always easy, Remy’s willingness to question and learn about himself is inspiring. With a great cast of characters, memorable dialogue, and a entertaining setting inspired by Dunwoody, GA, this book is wonderful.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by alex bracken on Unsplash

 

“Magnifique Noir Book 2” Exemplifies the Magic of Self-Care

by | Jan 10, 2020 | Book Review, Feminism, Identity, lesbian, LGBTQIA+, Reading, Representation, The Afro YA

“Magnifique Noir Book 2” Exemplifies the Magic of Self-Care

Created by Briana Lawrence, the illustrated novel series Magnifique Noir tells the story of Black queer young women as they come of age as young adults and as members of the magical girl team Magnifique Noir.

Book 2 of the series picks up a few weeks after the ending of Book 1. In the aftermath of a difficult battle, the new generation of the magical girl group Magnifique Noir is trying their best to move on. As they start to balance their everyday lives with their magical ones, the past comes back to haunt them in unexpected ways.

A noteworthy theme of this book is the pressure on Black women to be “the strong one.” Black women are always expected to put everyone else before themselves. Even though they are magical superheroes, the ladies of Magnifique Noir are still human. They have to learn to check in with themselves and each other. This is especially apparent in the book’s first two chapters, in which one of the girls is having nightmares about the team and their loved ones dying — a development that reflects the influence of the Japanese anime series Madoka Magica. The darkness of the situation is softened by the display of concern from her friends and her eventual decision to talk about the nightmares.
Another theme, related to the insistence that Black women be strong, is the expectation for Black women to always be wholesome. Rooted in respectability politics, this expectation denies Black women agency in terms of how they present and express themselves. A later chapter comments on this theme when the ladies attend a burlesque show inspired by Magnifique Noir. Kayla, a Black female burlesque dancer, is slut shamed by a white woman for her sexually charged take on Magnifique Noir’s Cosmic Green. Even though their superhero identities are a secret, Magnifique Noir stands up for Kayla as civilians.

This book shows Black women that they don’t always have to be strong or perfectly wholesome.

The decision to tackle the expectation of wholesomeness as it applies to Black women sets this book apart from other works inspired by magical girl anime. Given that the magical girl anime genre primarily features schoolchildren and was originally targeted at kids, it is rare to find books about adult magical girls doing adult things like seeing a burlesque show. Yet there are still some sparkly sweet moments could easily fit alongside classic magical girl manga like Sailor Moon.

One of my favorite moments takes the form of an illustration called “8 Bits of Rainbow” by artist Fried Unicorn Rainbow. It is a small yet dynamic and colorful piece depicting an awesome team-up between Magnifique Noir members Cosmic Green and Radical Rainbow. Another memorable illustration is “Rest Well, Magical Girls” by artist coloured_braids. It features three of the ladies in PJs sleeping together in the same bed. It is a tender moment captured well with pink pillows peaceful expressions, and the amusing contrast between the girl’s sleepwear.

In addition to illustrated moments, there is also great dialogue, scenes, and entire chapters devoted to queerness. One highlight features the character Marianna Jacobs figuring out how to define her asexual orientation with the help of Blaze, Magnifique Noir’s leader. The moments that build up to this one sensitively portray Mari’s orientation as something she is new to, but not something that she needs to change. Another notable moment is the romantic tension between Magnifique Noir’s Radical Rainbow (a lesbian) and Prism Pink (confirmed by the author to be a trans woman). Their scenes together capture the nervousness and excitement of having a crush very well.

One final bit of praise must go to the backstory about the old members of Magnifique Noir. While there are still some questions left unanswered, what is revealed is done in a way that will shock and perhaps surprise the reader. It was also great to see an older woman like Blaze growing a little closer to the girls and becoming more involved in their civilian lives as well as their magical ones. In this way, she becomes more like an auntie spending time with her nieces.

Adding a darker tone and some mature content, Magnifique Noir Book 2 continues to deliver a wonderful coming-of-age storyline with affectionate, powerful, and fun moments. This book shows Black women that they don’t always have to be strong or perfectly wholesome. No matter what you have to work through or how unwholesome you might seem, you are still magical.

—> Learn more about Magnifique Noir at the author’s website.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Books to Give Black Readers This Holiday Season

by | Dec 24, 2019 | Book Review, LGBTQIA+, Reading, Representation, The Afro YA

Books to Give Black Readers This Holiday Season

This year, I’ve read so many great young adult and middle grade books by Black authors.

From sci-fi fantasy academic studies to queer contemporary romance, it has been a banner year for the Afro YA blog. These books have not only entertained and informed me but also have me excited for a new generation of stories by young Black authors.

Since the holidays are the opportune time to read, give, and receive books, here is a holiday gift guide inspired by some of my favorite reads from this year. Whether buying for yourself or someone else, these books are a must-read for anyone.

The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games by Ebony Elizabeth Thomas

Combining personal experience with academic study and pop culture, this book discusses how race influences the type of sci-fi and fantasy stories we are exposed to on and off the page. Aimed at fans, creators, and anyone in between, adult sci-fi fantasy enthusiasts are sure to love this. For those who enjoy and critique media such as the Harry Potter series or the television series The Vampire Dairies, this book might provide some insight.

Miles Morales: Spider-Man by Jason Reynolds

This middle grade book features the Miles Morales version of Spider-Man facing villainy that threatens his own neighborhood. Miles Morales struggles to balance his teenaged life with his superhero life, but soon finds them both colliding. It’s fun, easy to jump into, and true to life. For fans of the animated film Spider-Man: Into the Spider-Verse or anyone looking for a superhero-themed novel, look no further than this book.

The Black Veins by Ashia Monet

The Black Veins follows the adventures of a Black bi teen named Blythe Fulton as she recruits a team of Elemental Guardians to help rescue her kidnapped family. It takes the camaraderie and awe of young adult fantasy from the 2000s and updates them for today’s audience. With found family, humor, adventure, this is a refreshing urban fantasy read.

This Is Kind of an Epic Love Story by Kacen Callender

When aspiring filmmaker Nathan Bird meets his old friend Oliver “Jamie” Hernandez, he must try to rekindle their friendship while coming to terms with his romantic feelings for him. This is a gay romantic comedy that nods to the teen coming of age stories that came before it while forging its own hilarious and heartfelt path. For LGBTQ readers and rom-com lovers, this is a perfect gift.

Darius & Twig by Walter Dean Myers

The late Walter Dean Myers was a trailblazer for contemporary children’s and young adult literature. Darius & Twig tells the story of a writer and a runner trying to find and achieve their dreams. Their friendship sustains them as they face various obstacles in their way, and their story will surely inspire even more writers and readers.

Tristan Strong Punches a Hole in the Sky by Kwame Mbalia

Introducing a child or adult to African mythology and African American folklore isn’t hard anymore thanks to this book. John Henry, Anansi, Brer Rabbit and more feature in this book to help young Tristan Strong save the world from an evil haint. Come for the engrossing and hilarious adventure and stay for the emotional and brave hero’s journey of Tristan Strong.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

“Who Put This Song On?” Is a Heartfelt Exploration of Identity and Mental Health

by | Dec 10, 2019 | Book Review, history, Music, Popular Culture, Racism, Reading, Representation, The Afro YA

“Who Put This Song On?” Is a Heartfelt Exploration of Identity and Mental Health

Due to my intensely personal experience with depression, I was really interested in Morgan Parker’s semiautobiographical debut young adult book, Who Put This Song On?

Set in 2008 in a conservative Southern California town, the book follows the story of Morgan Parker, who is told depression is something that happens to people who lack faith, and that her Blackness shouldn’t be mentioned too much. Following a mental health crisis, Morgan decides to figure out who she is. Armed with an expansive soundtrack of mostly 2000s emo music, Morgan examines herself and everything she has been told in order to find out who she wants to be.

Armed with an expansive soundtrack of mostly 2000s emo music, Morgan examines herself and everything she has been told in order to find out who she wants to be.

One of the things I immediately liked about the book was the voice of Morgan Parker’s teen self. She sounds tired, but also curious and resilient. She has hit rock bottom, but she is willing to climb out of the hole depression caused her to fall into. Above all, Parker’s teen self has a voice filled with hard-won clarity that results in honest observations about her mental health, her identity, and the world around her.

Morgan’s teenage voice is enhanced with diary entries, emails, and a Yellow Notebook in which she and her friends write about their exploits in sex, romance, and crushes. One of my personal favorite lines is, “I have no idea if I have the hypothetical and figurative balls to be a Black Panther or actual Rosa Parks… sometimes I don’t even know if I want to keep being alive. But as long as I’m here, and I’m me, I will definitely be intense, ridiculous, passionate, and sometimes hilarious.”

In addition to Morgan herself, the secondary cast of characters is also worth mentioning. There’s her white best friends Meg and James, her Black love interests David Santos and Sean Santos-Orenstein, the racist history teacher Mr. K, and Morgan’s family. All of these characters affect Morgan both positively and negatively, and the nuanced way they are presented adds depth to the narrative. At one point, Meg has to be called out by Morgan when Meg says, “You’re not really Black,” even though Morgan considers Meg a friend.

It’s worth noting, too, that the way Morgan is treated by her small town and family is influenced by mental health stigma, her religiously conservative community, and the 2008 political climate. To her white peers and white adults, Morgan is expected to be excited at the possibility of a Black president as well as an authority on Black history, even as she is asked not to bring up her Blackness too much.

Moreover, Morgan’s family alternates between treating Morgan like a difficult, fragile person to be around and treating her as someone who is trying her best to live. They know Morgan is going through a difficult time, but they don’t quite understand it. They let Morgan see a therapist and help her get access to antidepressants, but they also try to avoid the issue and frequently blame Morgan herself until they realize their mistake.

“I have no idea if I have the hypothetical and figurative balls to be a Black Panther or actual Rosa Parks… sometimes I don’t even know if I want to keep being alive. But as long as I’m here, and I’m me, I will definitely be intense, ridiculous, passionate, and sometimes hilarious.”

Still, there are characters in the book who are more sensitive toward Morgan’s mental health issues and open-minded about her questioning of religion, Blackness, and her place in the world. Cousins David and Sean Santos fill this role as both love interests and new friends. When David first meets Morgan, he helps her through a panic attack, and they talk about their favorite movies. Both David and Sean are notable for being presented as added emotional support, rather than cure-alls for Morgan’s depression.

Finally, the music references are a fun bonus throughout the book. Although I was only familiar with one or two of the artists, it was nice to see a Black girl coping with her depression through emo music without anyone giving her a hard time about it. Seeing so many different 00’s emo music artists mentioned rang true to my own experiences of my teens and early twenties.

In the end, this book was a heartfelt exploration of identity and mental health. Who Put This Song On? shows that you don’t have to let your mental illness or other people determine who you can be, even if you’re tired of fighting. By questioning what you are taught and forming your own sense of self, you can change your personal potential for the better.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by insung yoon on Unsplash

 

“A Dream So Dark” Is a Dark, Thrilling Return To Wonderland

by | Nov 24, 2019 | Book Review, Identity, LGBTQIA+, On Books and Writing, Reading, Representation, The Afro YA

“A Dream So Dark” Is a Dark, Thrilling Return To Wonderland

It has been ages since I have been emotionally invested in a book series.

Last year, I reviewed L.L. McKinney’s A Blade So Black and was utterly delighted. When the sequel, A Dream So Dark, was announced, I couldn’t wait to return to the Nightmare Verse series. Alice Kingston is a compelling and relatable heroine, and I wanted to see where her adventures would lead her next.

After the tumultuous climax to A Blade So Black, Alice Kingston must journey into a corrupted Wonderland to rescue her friend Maddie, a powerful Poet who has been kidnapped by dark forces. Alice is also dealing with the grim betrayal of her best friend, Chess, and the ongoing peril of the Black Knight. With these dangers come inner turmoil that threatens to tear Alice apart.

One of the most engrossing things about this book is Alice’s internal struggle with her fears. I have never liked so-called “strong female characters” who are allowed to be physically strong but not emotionally vulnerable, and this especially applies when those characters are Black girls and women. Black women are often expected to care for everyone but themselves, so to see Alice cry, be comforted, and learn to face her fears is wonderful.

Speaking of people who care for Alice, I really liked how Alice’s mother was written in this book. In the first book, the mother-daughter relationship was on thin ice because of Alice’s constantly breaking curfew due to her secret superhero lifestyle. In this book, it becomes even harder for Alice to keep her Dreamwalker duties a secret. In spite of all the lying, worry, and frustration, Alice’s mother still tries to understand her daughter as much as she can. Without giving away too much, I can say that it was really heartwarming to see the two grow closer in this book.

Another character that I liked to see caring for Alice is Alice’s grandmother, Nana Kingston. She was casually mentioned in the first book, so it was a pleasant surprise to see more of her in this one. Nana Kingston displays signs of Alzheimer’s disease but belies strength and cheekiness that radiates warmth and love to Alice. I especially liked the gift she gives Alice before she and her mom leave the nursing home.

I have never liked so-called “strong female characters” who are allowed to be physically strong but not emotionally vulnerable, and this especially applies when those characters are Black girls and women. Black women are often expected to care for everyone but themselves, so to see Alice cry, be comforted, and learn to face her fears is wonderful.

Of course, Nana Kingston and Alice’s mother are only two of the characters that made a good impression. Old characters like the Black Knight and Addison Hatta received some surprising character development that also added to the world-building of Wonderland. In particular, the Black Knight’s character development was interesting because it made him more than a one-dimensional villain lackey, though I wasn’t too keen about seeing certain chapters switch to his point of view.

Meanwhile, this book also introduces some newer characters. There are Romi and Haruka, Japanese Dreamwalkers and protectors of the Eastern gateway of Wonderland. Both are strong warriors, but Haruka is the most intriguing, as she serves as both a new friend and a new crush for Alice. Seeing those two bond over past battles and Sailor Moon was a lot of fun. It was also nice to see Alice’s bisexuality be so casually featured and confirmed, since I had my suspicions about Alice’s orientation in the first book.

One other newer character that was enjoyable was the Big Bad of the book. I liked how cunning they were in terms of their plan to manipulate Alice, Addison, an evil version of Chess, and the Black Knight. I also liked how genuinely scary their power over the Nightmares were. They embody the darkness of Wonderland to its fullest, and the reveal of their identity is well done.

It was also nice to see Alice’s bisexuality be so casually featured and confirmed, since I had my suspicions about Alice’s orientation in the first book.

There wasn’t much I disliked about the book. One improvement over the last book is seeing Chess and Courtney play bigger roles in Alice’s adventure, for better and for worse. I ended up liking them more than I did in the first book, and I’m interested in seeing how the events in this book will affect them in the next. In fact, this book made me extremely impressed with how the author has managed to handle such a huge cast of characters in the series.

All in all, this book is a darker, entertaining return to Wonderland that hardly disappoints. Alice fights darkness from within and without to emerge as a better hero and plant the first seeds of Wonderland’s return to its former glory. A Dream So Dark is a thrilling continuation of the Nightmare Verse series, and I eagerly await what will come next.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by Johannes Plenio from Pexels