Imagine

Trump, in a speech on Friday, February 23, 2018, to the Conservative Political Action Committee in Washington, D.C.:

“Well-trained, gun-adept teachers and coaches [should carry firearms in schools]. I mean, I don’t want to have a hundred guards with rifles standing all over the school. You do a concealed carry permit. This would be a major deterrent, because these people are inherently cowards.”

Saturday, February 24, 2018, Trump tweet:

“Armed Educators (and trusted people who work within a school) love our students and will protect them. Very smart people. Must be firearms adept & have annual training. Should get yearly bonus. Shootings will not happen again — a big & very inexpensive deterrent. Up to States.”

It’s March 24, 2020.

In Denver, Colorado, a certain English teacher with streaks of silver in her brown hair completes her final “Armed Educator Training,” which her school district has mandated for all educators, in compliance with SB1999 passed after Colorado endured another mass shooting, this time in a Colorado Springs high school in May of 2019. This time, nearly fifty students and educators died. This time, finally, enough Colorado legislators stood up to demand alternatives. Thus “Armed Educator Training”: six courses all K–12 teachers are required to complete before the end of this 2020 school year. Former military personnel or teachers who can demonstrate similar arms certifications are exempt if they complete the appropriate paperwork. Upon completion of the six courses of the Armed Educator Training, each K–12 teacher receives a standard-issue M&P 9, with a Picatinny rail under the muzzle. On this day, March 24, 2020, a stern army colonel with wire spectacles perched on her nose hands this English teacher her M&P 9. The English teacher holds the gun on the palms of her hands and does not look away.

Behind her, a kindergarten teacher breaks into quiet tears as she is handed her gun. A middle school math teacher accepts his grimly. A high school chemistry teacher grabs hers a bit too eagerly. The room is silent. No one says thank you. No one laughs or jokes with each other, as they have been doing in the dreariness of these evening classes and at the shooting range, where learning how to hit the targets felt more like a sporting competition than anything real. But now. They fit the new guns into the blue plastic holsters they have been issued, and they accept the paper certificates that confirm their completion of Armed Educator Training.

At home, the English teacher sits in her car in the driveway for several minutes, trying to grasp this brave new world. She will leave the gun in her glove compartment and transport it to school tomorrow, in the clear plastic bag (all bags and backpacks at her high school must be clear now) that currently holds her students’ research papers, three books she needs to skim to prepare for tomorrow, and various spoons and forks she has neglected to return to her kitchen. She refuses to bring the gun into the house. Not with her child in there. But then she shudders: her child’s teachers all carry guns now, too. Every teacher in Denver is required to, now.

She sits in the driveway, and outside the March wind pummels her car. The car rocks. Mentally, she lists all that she still does not have as a teacher, though she now has a gun:

  • she does not have whiteboard markers
  • she does not have the students’ attention, since they are staring at their cellphones
  • she does not have a key that works in both classrooms in which she teaches
  • she does not have enough desks for all of her students when all of them attend
  • she does not have time to use the bathroom
  • she does not have a printer or a projector that work reliably
  • she does not have a reasonably sized class
  • she does not have enough books, or paper, or pencils
  • she is not paid enough to live in most of the neighborhoods in her city
  • she does not have adequate healthcare
  • she does not have regular assistance with her students’ mental health issues
  • she does not have reassurance that the district has invested adequately in her retirement
  • she is not paid enough to save for her own child’s college education

But she has a gun. On the passenger seat beside her, the gun in its ridiculous blue plastic holster, inanimate but not innocuous, waits for her to do something with it. She remembers other times she has held and fired a gun: as a child, when her father had reached around her and held the rifle with her so they could point and fire at clay pigeons the machine threw into the air over their cornfield. And she remembers the time in Alaska. In Alaska, where she trained to be a teacher, her program required all urban education students to do a one-week intensive in a rural school. She had flown to Kodiak Island, to a village of fifty, where two teachers led a K–12 school for eighteen students, lived together (though they were not a couple), drank tequila, and shot guns. For the entire week, the teacher had become increasingly dismayed by the ferocity with which the other two teachers wanted to finish the day so they could go shoot guns. Every afternoon, the three of them walked the short distance to the town dump, set up rusty cans on stumps, stepped back, and fired. Bang. Bang. BANG. The teacher wanted to know if they could hike instead. Ha, said the man teacher. Hike? There are Kodiak bears out there. THIS is all there is to do safely here. He lifted his pistol again, a little shakily, since he had been drinking. Bang! The other teacher, the woman, laughed bitterly, examining the pistol she held. Yeah, they say you have to be insane or be running away from something to come out here to teach. I think I’m doing both. She leveled the pistol at the man a moment, and they both laughed crazily. Bang! A tin can exploded in the distance, out by the dump where only the bears and the bald eagles could hear.

Until the mandatory Armed Educator Training, the teacher had not fired a gun since that moment in the Alaska. Some of the teachers in the training had reminded her of those two teachers on Kodiak Island: desperate, fierce, angry. Give me that gun, an eighth grade social studies teacher had said, his teeth gritted. No active shooter will think to bother my classroom, ever.

Now she sits in her car beside the gun, and outside, it has begun to rain: large drops splash rough-edged circles on her windshield, which is cracked. Where is she safe, if not in her classroom? Where is her daughter safe? She thinks of a cartoon she saw once, of a boy on a playground holding a stick. The teachers gathered around him, staring down at him, debating. Should we arm all the other children with sticks? Or should we take away his? The cartoon teachers frowned in their indecision.

The front door of the teacher’s house opens, and her wife steps out, peering through the gray rain. She wraps her sweater around her body and walks out onto the porch, down the two steps, across the driveway. She doesn’t hesitate: she opens the driver’s-side door and grasps the teacher’s hand. Come on, sweet wife, she says. Come inside. She glances at the gun on the passenger-side seat, but mostly she keeps her gaze focused on the teacher.

Shivering suddenly, though she is not cold, the teacher begins to cry. I don’t want this—I just want to teach writing—I hate living in America—I—

Her wife pulls on the hand she holds and guides the teacher out of the car. She shuts the car door, and the car, smart, locks itself with the gun inside.

Dinner’s ready, the teacher’s wife says quietly. Let’s just go inside.

Inside, dinner is already on the table, and the women’s daughter sits waiting, her dark eyes round with concern. The fireplace is on, and the dog greets them, wagging happily, as he does every day. The teacher lets her shoulders relax. Her daughter springs up from the table to hug her, and the dog wedges himself happily between them.

And the teacher gives herself permission, as she does every afternoon, to forget the world outside this one, to forget guns and inept politicians and deep gun lobby pockets that refuse to ban even semi-automatics and bump stocks and fear and students who jump at any loud noise and lockdown drills and lockout drills and the flashing red and blue lights of America.

Her wife locks their front door. Here, by the fire, the three of them settle into their chairs at the dinner table, and the dog stretches out at their feet.

But it is not enough. The teacher knows it: it is not enough.

top photo by Heather Mount on Unsplash

The Teacher in April

Every April, I become profoundly tired.

Stacks of research papers teeter on my desk; my colleagues and I slog through hours and hours of standardized testing proctoring; the students are irritable and restless, and so am I. Every April, my mind hums with the same old question: What else could I be? What else am I qualified to do? I search the internet for job postings, but drift toward all the ones that sound quite a bit like teaching. Could I get paid to garden? Would someone employ me to hike mountains? Is it possible to work as a professional reader of books?

Yes, I could be a writer. Since I was nine, when I wrote rambling stories about a girl named Zoe who lived on a farm oddly like mine, I have yearned to be a writer. Not just someone who writes every once in a while, not just someone who writes in the precious early hour before work, but someone who, for a living, writes. My secret love has always been words and sentences and paragraphs. Stories.

Every April, my mind hums with the same old question: What else could I be? What else am I qualified to do?

But at twenty-six, drifting through Central America with a piece of paper that proclaimed me a college graduate and trumpeted the profoundly useful double major in English and religion (majors to which I had switched my sophomore year, romanced away from chemistry and math), I sighed, and became a teacher. The old adage mocked me: Those who can’t do, teach. I pulled the first stack of student essays toward me and began to read.

“Teacher” is the identity with which I am most uncomfortable. For fifteen years, I have viewed it as temporary. Someday, I say to whomever is listening, I’ll quit this job and write full time. I try to wake early to keep my writing discipline. I try to attend writing workshops, where a surprising number of people seem to have hours each day to write. I try to learn from others: at a “local author” book signing for Grief Map recently, I talked to two other local authors and grilled them on how they have made the jump into a full-time writing life. One woman told me: You just do it. You just jump. Right. Except jumping requires the confidence that the stories I’m trying to tell will translate to a living wage somehow, that we’ll be able to continue to do all the other things I love and value: travel, buy plants for my garden, eat out at restaurants, save for Mitike’s college education. Better to keep teaching.

This job, teaching, is cyclical. As soon as I sink to my nadir, in the first weeks of April, the end of the school year begins to shimmer in the near distance. At home, my plants begin to sprout in the garden.

A colleague told me recently, in response to my “Someday, I’ll be a writer full-time,” that someday I’ll admit that I’m actually a teacher at my core, and I bristled. He laughed. We stood in the echoing hallway, both of us holding armloads of papers to grade. Too often, I feel like a character in a Stephen King or a Kent Haruf novel—the jaded English teacher, correcting papers late at night, staring back at disengaged students by day, her own half-finished novel in a drawer because she has to plan lessons for this week and attend professional development and call the parents of every student who is failing and beg the district to give me adequate health care.

On PSAT testing day this April, I walked in circles around and around a room full of sophomores. In my monotone voice, I read the script: “You will only receive credit for answers recorded on your answer sheet . . . If you have any questions about testing procedures, please ask them now. I cannot answer questions during the timed sections of the test. . . .” I looked up. The sophomores held their number two pencils politely, but they were hearing nothing I was saying. They had heard all of these instructions before. Outside, a tree blossomed white, and the robins and chickadees announced spring. I thought, We are all trapped here. I told the students to just begin the test.

“Teacher” is the identity with which I am most uncomfortable. For fifteen years, I have viewed it as temporary. Someday, I say to whomever is listening, I’ll quit this job and write full time.

There are days when my job feels like one of the best possible jobs in the world. After all, I am free to plan my own time, to teach whatever texts I deem relevant, to engage roomfuls of teenagers in meaningful conversations about their lives. And every year, I reach a few students who needed to be reached.

This job, teaching, is cyclical. As soon as I sink to my nadir, in the first weeks of April, the end of the school year begins to shimmer in the near distance. At home, my plants begin to sprout in the garden: the peas and kale and broccolini and radishes I planted on St. Patrick’s Day, the perennial native flowers I planted three years ago. I store the skis and the winter coats; I spend an entire weekend digging in the dirt, carefully pushing mulch around greening plants. The delicate soft green leaves of the sage plant reminds me to have more empathy for my students, who are trying to thrive in soil and air that is not their native habitat. The delicate butter lettuce leaves tell me I need to bring those students more water, more peat moss and compost. On a Monday after gardening, I am always a better, more devoted teacher.

Every morning I make myself write is a little more amendment to the soil; someday, the writing life I imagine will thrive here.

But I still don’t believe I will be a teacher forever. It’s a stop along my way, no matter what anyone says. On the first weekend of April, as I sank my fingers into the newly friable soil I had created for my new herb garden, I made a mental to-do list of the writing projects I intend to finish this summer, while these plants are growing: the Anna Dickinson manuscript (finished, but needing major editing), the Colorado women place names project, the new collection of hybrid essays I want to begin on the wilderness and nature, the short story about the lockdown. Someday, someday, someday. The word is the rhythm of my spade in the Colorado clay. Every morning I make myself write is a little more amendment to the soil; someday, the writing life I imagine will thrive here.

For now, I’ll drive to work at a huge Denver high school, where I’ll grade two more papers before the bell rings, and then I’ll stand in front of thirty teenagers and tell them, “Okay, let’s start by writing a little.” It’s always about that, about beginning. And then, as the morning sun streams through the tall windows onto thirty heads bent earnestly over notebooks, pens scratching, then, for a moment—just before I take attendance—this is the perfect job for me, after all.

top photo by rawpixel on Unsplash