Issue 6: Conflict

Brood of War

by Chana Kohl

Voice-Only Encrypted Transmission
Origin: Orion-Cygnus Wormhole Station
Destination: Calgary-Edmonton, New Earth
Date: 28 August, 678 NE

Hi, Jess. In case you don’t recognize my voice squeezed by gravity and skimmed across 4,000 light-years, it’s me, Joe, your affably winsome bro messaging you. Modesty aside, I’m mid-way through my exomedicine rotation and work in the Centauri sector is never dull. I’m in constant contact with every walk of life, organic and synthetic. Don’t worry. I’m nowhere near the conflict zone, although we do get overflow cases from time to time.

I held a Zyaran heart in my hand today: five chambers of quivering, translucent jelly, embedded with shrapnel and fighting for every beat. Oh, you definitely would have hurled. Just like whenever we’d sneak into Dad’s lab and ogle his jars of teaching specimens. Med school just was never in the cards for you, sis.

My patient mended quite nicely. It helps that Zyarans regenerate body parts faster than a Nipsican sea cucumber. And while the captain will live to fight another day, I can’t say the same for the soldiers under her command. Reports are they formed a living shield around her until reinforcements arrived. Strange what people sacrifice themselves for in war.

Oh, I almost forgot. I found a brood of Kivrhak eggs this evening, just left abandoned between Pediatrics and NICU. Our holographic attending, Kel7, said Kivrhaks, like Earth’s cuckoos, evolved brood parasitism in response to environmental stressors. Weird war-time strategy, huh?

Voice-Only Encrypted Transmission
Origin: Orion-Cygnus Wormhole Station
Destination: Calgary-Edmonton, New Earth
Date: 14 October, 678 NE

Well, we had an unfortunate misunderstanding between two patients today. A Zyaran got quite upset when a Kivrhak bent down to seal his mag-boots. Apparently, displaying one’s cloaca is considered a major affront to Zyaran sensibilities. Out of nowhere we heard the high-pitched screeches and caws of indignation over the massive humiliation this caused. It really could have gone ugly if we hadn’t intervened.

Kel7 said that despite the obvious differences, Zyarans and Kivrhaks descend from the same species. There’s even a song they sing, usually after they get ripped on Nsuarian ale, about some fabled ‘Mother Bird’ who will swoop from the heavens one day and gather all her children to live as one.

Doesn’t look like that’s happening anytime soon.

On the brighter side: my Kivrhak brood finally hatched! Kel7 said they would never survive, their shells were too thin and fragile from exposure, or maybe some genetic flaw. They seem to be thriving though, kinda cute. And very hungry.

Voice-Only Encrypted Transmission
Origin: Orion-Cygnus Wormhole Station
Destination: Calgary-Edmonton, New Earth
Date: 11 December, 678 NE

Hey, Jess. It’s late. I can’t sleep.

Remember the time Dad took us fishing at Ten Peaks? The skyline reflected so perfectly on Moraine Lake. If you looked long enough, you’d lose track of which way was up and which was down. I dreamt I was crossing that lake. You were standing on the other side. I thought it was frozen, but I fell through. I called out to you. I could see you, but I couldn’t reach you. I just sank to the bottom.

It was so cold.

Strange how dreams and memory patchwork themselves in your mind.

I guess you heard about the recent uptick in hostilities. Violence is spilling over. Kivrhaks and Zyarans are more alike than different, but when has common ground ever stood before the pursuit of power or resources?

For millennia, the galaxy’s species evolved believing we were alone. Not only were we the center of the Universe, but the reason for it. It was all for us.

We were wrong.

Still, life is rare. Control of freight routes, freedom of wormhole access… you’d think these things could be solved without bloodshed. Maybe it’s true. War is the inevitable price of survival. It just feels exhausting sometimes.

I should probably go check on the hatchlings.

I love you, Jess.

Voice-Only Encrypted Transmission
Origin: Orion-Cygnus Wormhole Station
Destination: Calgary-Edmonton, New Earth
Date: 15 January, 679 NE

There’s now debate whether to enforce ‘temporary paid leave’ for all staff arriving from conflict zones, a blockade that would seriously jeopardize patient care.

Jess, I will quit before I let that happen.

I don’t care what the talking heads back home say. Conflict may be inevitable, but war is a choice. It’s a choice to think in zero-sum terms of us vs. them instead of we. It’s also a choice to fan flames from 1000 parsecs away, yelling slogans, waving flags, keeping score—it’s not a soccer match. These are beings.

I ran a genetic analysis today that confirmed my suspicions. These Kivrhak chicks? They’re half-Zyaran. Kel7 said it won’t matter if they survive to maturity, if either species even catches wind they exist, they’ll be destroyed. I asked if we could pull some strings and get them transferred to Persei IVc. There’s a facility that specializes in interspecies hybrids.

It’ll be good if they can be raised far away from this chaos. At least they’ll have a chance.

Voice-Only Encrypted Transmission
Origin: Orion-Cygnus Wormhole Station
Destination: Calgary-Edmonton, New Earth
Date: 4 April, 679 NE

Hello, Jessalyn. My name is Kel7. I am the holographic attending physician and Director of Exobiology at OCWS Medical Facility. I’ve worked with your brother, Dr. Joseph Ouellette, closely this past year. It is with great sadness I must notify you that Joseph was killed today during the performance of his work duties.

Our earliest reports are that, in a motivated attack, an explosive of unknown origin was hidden within a shipment of medical supplies.

I found Joseph to be a deeply caring individual who spoke of his twin sister often and with fondness. I am truly sorry for your loss.

You should know that before he succumbed to his injuries, Joseph managed to carry a Centauri brood he was caring for to safety. I just got word they will receive secured passage to the Persei system, in accordance with his wishes.

Chana Kohl works in Jerusalem in clinical research. Writing speculative fiction on the bus and during lunch breaks, her short stories have appeared in 365Tomorrows, AntipodeanSF and the upcoming Planetside Anthology (Shacklebound Books). She is a 2022 recipient of the Gotham Writers’ Josie Rubio Scholarship. Twitter: @chanakohl

Currently Reading: New Suns: Original Speculative Fiction by People of Color, edited by Nisi Shawl.

Digit

By Christi Krug

 

It’s done: I’ve activated the BioFocus on my left hand, third digit. Back when I was a girl, Rusi, and you weren’t even a thought, we used our fingers for everything! We touched mud, fur, weeds, worms, food—chocolate puddings and bouncy hot dogs—food came in such shapes! There remains special sensitivity in our fingerprints, you should know, even as they interface with Neural Port Settings. We took our bodies for granted in that era, our hands, wrists, knuckles; we ate with our fingers. I never considered this finger, what it wanted, who it was for. As an adult, sure, I got married, got divorced—a couple of times for good measure. It’s what people did. Your grandfather, Wolfgang, was a freight flyer, and all the long hours and interplanetary traffic made him grumpy. We quarreled. When I married Harry, my titanium wedding band with the serpentine sapphire was a conversation piece. Nevermind that I too became merely Harry’s conversation piece. Those were busy times, though, and he was preoccupied with colonizing OceanForrest, and who could blame him? I’ve always gone along, a pleasant person, allowing. Anyway, before you were incubated, the worms and furred things went into steep decline, and I was alone. Then that awful dictator, Numm, came into power and removed us Ignorables, taking us Three- and Four-Decaders from our villages where we had worked using our hands. They razed our workshops to make launching cubicles. They affixed me to this multi-pronged plasmaluminum machine. Said I’d be much less a burden immobilized.  I allowed the slow turnoff of all my limbs, fingers.

 

Thank God for revolutionaries like NewGenMo (motto: Let’s be humans again!), creator of the BioFocus with its sparkling dusty blue hum and barely visible violet netting, making me understand, know, feel my tallest digit. There’s warmth, pulsation, the traveling of fluids through fine channels of electricity amid the tissue-clothed phalanxes. I can’t even begin to tell you the thrill of fully feeling this finger. Maybe next I’ll slap a LifeScreen, swat a Drone2fly, stretch my hand in the air, fingerpaint!

I lift my third finger, hold it up, remembering anger, a gesture of long ago. As with everything, I never know how to respond to my body, to the passing of time, until it is too late.

Christi Krug, an Oregon Coast resident, coaches writers and leads retreats, yoga, poetry, and nature experiences. She is the author of Burn Wild: A Writer’s Guide to Creative Breakthrough. She has been chosen as a 2022 Centrum Emerging Writer Resident. Twitter: @ChristiKrug

Currently reading the short stories of HP Lovecraft.

Astransnaut

by Hunter Liguore

Mars Exploratory Expedition
Transport: Athena-7, Day 90
Live Transmission
Speaker: Judy Barkley, Astronaut
June 2, 2027

When we are different than everyone else around us, it’s only natural to look skyward into the star-clad heavens and imagine other worlds with people just like us. It’s the deep hope of a child to fit in, to see faces that welcome them, rather than turn away in aversion or distrust.

As a child, from the porch step of my dad’s Missouri farmhouse that was passed down generations since the first Exoduster farmers settled on the land in search of their own new world as free people, I used to dream. What if one day I could be the first woman to step foot on Mars or the first woman to live there, or what if I became the first woman to be part of an exploratory expedition to scour the planet’s surface collecting data to help future generations?

Since I’m transmitting live from Athena-7, you can probably tell that I got my dream and am living it. But back in Missouri, with the stars and moon overhead, like a fairy godmother and her helpers, imagining my first step onto red dust, or what wall paintings I’d hang in my chic Martian apartment wasn’t too hard. What was difficult, if not otherworldly, was the idea of being a woman. How would I transform my body into something it currently was not, enough to be accepted first by my family, and all the way to NASA and the crew I’d go with into space?

Those hurdles, more numerous than the miles of cornfields, were more impossible than working out atmospheric conditions to support life on Mars. Once, my dad said, “Jude, why don’t you leave those science books and go to the store and get me a new shovel. I broke mine this morning digging fence posts.” Going meant being seen, something I didn’t like very much. You can look as normal as the next person, but when you don’t feel it inside, you exude a vibration others can feel, letting them know you’re easy pickings.

As you might imagine, I didn’t come home with the shovel, but a bloody nose. But, I also came home with something neither of us could’ve anticipated. Knocked down on the asphalt with a circle of tough-headed kids surrounding me, I saw what kind of woman I didn’t want to be. As they walked away, I shouted, “One day, I’m gonna walk on Mars! What’ll you be doing?”

That was also the day I told my father about me. It took some time, but eventually, he came around and saw that he wasn’t losing a son, but gaining a daughter. He’s been my support ever since.

And I kept dreaming.

As the next wave of astronauts are born, let’s image a future, where we look skyward not as a frontier to find acceptance, but one where we already fit in, so that the next step is one we take together.

Hunter Liguore is the award-winning author of Whole World in Nan’s Soup (Paterson Prize for Books for Young Readers Winner). A Professor of Writing at Lesley University, her work has appeared in Spirituality & Health Magazine, Sand Hills Literary Magazine, Mystery Magazine and more. Twitter: @skytale_writer Website: www.hunterliguore.org

Swans

by Jesse Rowell

Evening hung around our necks and choked our words into sputters and half-muttered phrases. Terracotta soldiers marching through dirt and time, we tripped over the sounds of coughing in concert hall recordings and listened to our epitaph repeat, “There will never be enough ghosts in this world to hold past regrets.”

Fragments of dead soldiers’ voices in our helmets guided us through the wreckage with stories of missing families, like the father who drunkenly grabbed a swan by its neck at a picnic near a lake. Those powerless to stop the violence cried out as the swan’s body slumped into a nest of feathers, its neck splayed to the side like a plant wilted under the sun. Reborn as a pedalo with a wooden enclosure for its body, it held teenage lovers who pedaled across the lake, looking for a distance to make out under its rigid wooden neck.

White phosphorus flashed, and we buried our faces in the mud. We called them husks, our enemies, the former humans who had come back to Earth from the stars with alien technology used to colonize and kill us. What had made them human had been ripped out, that kernel of identity as a collaborative member of our species replaced with something inhumane and cruel. We had celebrated their remarkable accomplishments, our brothers’ and sisters’ return from space with its secrets, jubilation on the streets when we still had streets.

Gunfire did not sound like rustling silk. Bombs did not fill us with awe. Instead, the boots of burnt-out vehicles snapped open at the moment of impact like mouths in expressions of shock. Ash and detritus forced inside, the fine powder of disintegrated concrete settled over the pallid faces of the dead trapped inside. There was no coughing, only the voice in our helmets guiding us through the wreckage and the sounds of machines launching fire and noise on people who had lived and loved in our cities, forever gone.

The swan came back ashore with its body no longer made of wood, the teenage lovers still trapped inside. People prayed that the swan wouldn’t squawk, wouldn’t alert the drunken father who would grab it by its neck again, kill it, and trap the teenage lovers inside its body.
Machine, tell us what to do, give us our tasks. No more stories about swans and teenage lovers. We used to give you tasks, but now we depend on you to tell us what to do. The voice in our helmets guided us through a cratered mansion and its barbecue grills, a feast for plenty when we used to cook outdoors and indoors across multiple kitchens. Inside we saw a cracked toilet hiding in a corner. A sink protruded from the wall with its proud potbelly. A shower curtain rested in a heap on the floor as its hooks dangled menacingly from a shower bar.

Before our war, the husks pretended to be human, pretended to rejoin our communities as they stumbled into loos and splashed themselves in sinks like waterfowl. Scabs peeled back from incessant picking, raw pink islands where new skin grew beside oceans of crinkled crepe and freckled skin. They looked like us, but we couldn’t connect with them as they spread disinformation through the tidal flow, their memetic messages turning us against ourselves. “When a sieve is shaken, the husks appear,” we quoted Sirach when they became our enemy.

Dogs scavenged the streets before venturing into the woods. They expected their owners to return someday with a heaping bowl of mashed meat and say, “Who’s a good boy? That’s right, you’re a good boy.” The dogs that escaped outside were the lucky ones, but those trapped inside with no doggy door or screen to claw-gnaw through starved. Their barks turned into whines and, finally, silence.

Trapped inside the swan, the teenage lovers passed perfumed love letters with words of support to each other. The lovers had kept the swan calm and the drunken father unaware of its return to shore, but they fretted knowing that their lives depended on the swan’s survival, like a nation-state protecting its people. Love of country, the voice in our helmets reminded us, is memory, and a husk trying to remember love is like something dead trying to remember life.

The voice identified the location of a warren where the husks hid, and we attacked the spitting angry things. They were not human to us, and we were not human to them, aggressors married in an ugly dance of violence. The atrocities we committed and rationalized because we were dehumanized, but when we saw them unbreathing in the mud, we thought they looked human. We touched their faces and closed their eyes, these strangers from the stars that had come back to haunt us.

The drunken tyrant of a father killed the swan again, unprovoked this time as the swan sat quietly at peace on the river rocks. The malfunctioning AI did not explain to us why he killed the swan again. It repeated the story on loop, the teenage lovers trapped inside the swan pedalo enduring the same cycle of violence over and over through the history of time.
We watched a riot of color through the rain, spring buds painting the landscape like brush strokes on a canvas. The voice in our helmet directed us, those of us left living, to the next clutch of husks to kill. There will never be enough ghosts in this world to hold past regrets.

Jesse Rowell has fiction featured in multiple publications across media outlets, including NPR and several literary journals. He can be found at https://jesserowell.com

Currently reading: And What Can We Offer You Tonight by Premee Mohamed.

Night of the Living Raccoon

by Jonathan Worlde

 

BLAM! BLAM! BLAM!

What the hell? Who was shooting so close to the campsite?

BLAM! BLAM! BLAM!

Sounded like shotguns, coming from beyond the stand of trees down by the river.

Saul headed in that direction, armed with nothing but a hickory walking stick. He passed several android campers, busy cooking breakfast over open fires. They appeared startled by the gunfire, glancing around the vicinity with looks of bewilderment.

BLAM! BLAM! BLAM! Someone was down there on the river shooting at geese, out of hunting season. What came to mind was some rednecks acting like irresponsible idiots.

He walked down the hundred yard path, over the carpet of fragrant pine needles from the towering Douglas firs, to the break in the trees leading to the river bank. On the water he noticed a partially submerged island with stunted trees and reeds, and within that vegetation was a makeshift blind where three men with shotguns were sitting. They had deployed a half dozen goose decoys on the water around them. A small motorboat was tied to a sapling on the island. In the far distance rose the charred, crumbling towers, remains of the ruined city’s once majestic financial district.

The hunters noticed him at the same time he saw them in the early light. He fought to overcome his natural anxiety when he saw the guns.

“You boys from around here?”

“No sir, we’re from up that-a-way,” and they all pointed their gun barrels in the direction upriver, which could have made a good joke if it was in a movie instead of happening right here in front of him.

“You think you should be shooting off guns so close to a campsite?”

“We didn’t know. We’re just about to leave.”

That interchange was enough for him to assess the quality of their speech pattern and neural sophistication. “Which are you, Jupiter series IV or V?”

“Jupiter V. How’d you guess?”

He smiled. “I built you boys. Your ability to aim and shoot a cyborg goose out of the air—I designed the software for your motor skills—your neural acuity.”

“Gosh, it’s nice to meet you sir. We’re sorry to disturb you.”

“It’s just that you’re a little too close to other folks to be shooting at geese. Enjoy the day now.”

He turned and headed back up the path. At least he’d put an end to the shooting. He imagined what this river valley must have been like a hundred years ago, before the great extinction, when people still hunted the seeming inexhaustible supply of Canadian geese, white tail deer and black bear.

Jesus, what has the human race done to itself. Do we even deserve to go on living?

Saul enjoyed his day job, fine-tuning the software that enabled the next generation to even further outshine the last. And his wife was a medical technician of sorts, running diagnostics and repairs when something in the androids went awry. She specialized in the child units, which, contrary to many people’s way of thinking, were not just smaller adults. Saul’s only regret at this stage in their relationship was that they didn’t have children of their own.

As he walked, he noticed a small animal leaving a thicket and moving toward him. At first, he thought it must be a cat, but then realized it was a raccoon, one of the smaller mammalian species to have survived the great die-off. This one must be on its way back to its home after a night of foraging.

Something was off about its movements. Normally a wild raccoon would avoid an encounter with a human, but this one continued moving toward him. Before he could react, the creature launched itself at his leg and scrambled up his pants, sinking its teeth into the skin of his forearm. Saul let out a shriek, repulsed by the swampy reek of its fur. Grabbing the beast behind its head with his right hand, he tore it loose from his arm, flinging it aside to the ground. He realized this animal must have rabies, if it would attack a much larger human in opposition to its natural instincts. The raccoon skittered away into the underbrush.

Horrible! Disgusting! Now he wished he had one of those hunters’ guns so he could blast it to pieces. Examining his arm, he saw the animal had torn through the epidermis layer of skin. Katy would know how to fix it, but he shivered at the prospect of contracting rabies.

*

On a cot in front of their tent, Katy finished cleaning the torn skin. She used a tiny vacuum tool to remove dirt from the first layer of hydraulic tubes and cables in his arm, those facilitating the effortless motion of his wrist, hand and fingers. She applied a silicon lubricant, then skillfully heated and sealed shut the tear.

“There, good as new.”

Saul was reassured by the warmth in his wife’s voice and the sparkle in her light-blue eyes. He moved his fingers across the smooth graft.

“What would I do without you?”

“Cry like a baby?”

“Just the thought of that filthy animal biting into me makes me shudder.”

“I’m always telling you to be more careful!”

“But am I going to get rabies now?”

“Not to worry, there’s not a single living cell in your body that could become infected with the rabies virus, not since our last upgrade.”

He felt the tension dissolving. “Still – I haven’t been injured this badly in a hundred years.”

Jonathan Worlde is the fiction byline of Paul Grussendorf, who is an attorney representing refugees and a consultant to the UN Refugee Agency. Paul Grussendorf’s legal memoir is My Trials: Inside America’s Deportation Factories. Jonathan Worlde’s neo-noir mystery novel Latex Monkey with Banana was winner of the Hollywood Discovery Award.

The Colonel

by Lane Chasek

“That’s what the American public never knew,” Colonel Swenson says as I turn him onto his side. He’s soiled himself again. Of all the nursing home’s occupants, the Colonel is the easiest to clean because his feces doesn’t smell like feces anymore. Instead, it has the same boiled cauliflower smell that emanates from every pore of his aging body. I pull down his sweatpants, then his diaper, and get to work. “The KGB, Chairman Mao, the Zeta Reticulans—we were at war with all of them up until 1985. And nobody but me and the CIA knew about it.”

“Uh-huh. Tell me about it,” I say, even though he’s told me this story every day for the past month.

“The saucer crashed at Roswell. 1947. That’s how it all started, private.” He always calls me private. He calls all the orderlies private. “A reconnaissance mission gone wrong.”

“Uh-oh.”

“Uh-oh is right.”

I clean away some of the mess, scoop it up with damp paper towels and baby wipes. The skin on his buttocks and upper thighs is red and blistered, as if he’s been sitting in a pot of boiling water. Colonel Swenson yelps when I wipe too hard.

“Easy, private!”

“Sorry, Colonel.”

“It was a war those Reticulans were looking for. But we got ahold of them weapons…reverse engineered them bad boys. Gave ‘em a real run for their money after that. I’m the one who made all that tech possible, kid. Kevlar, mylar, fiber optics, Velcro, masers, lasers—none of it would have been possible if it weren’t for me.”

We use baby powder on his backside now (Gold Bond, with all its “soothing” chemicals, irritates his skin too much). I apply it liberally, slide a fresh diaper and a clean pair of sweatpants onto him. He smells pungent and floral now.

“I’m a hero, and this country doesn’t even know my name.” He shakes his head. He’s still shaking his head as I prop him up on his bed. The left side of his face, the side that’s been paralyzed since last year, droops down like softened wax. When I or any other orderly feeds him, we have to be mindful of which side of his mouth we feed. Last week he almost bit off part of his tongue.

Behind him are various black-and-white photographs of him and his friends from his army days. He never likes to mention that he signed on too late to be a true WWII hero, but everyone (from the orderlies and nurses, the aging grandmothers, and especially the other veterans) knows that the Colonel never faced what they call “real” combat. He wasn’t a warrior. His place had always been behind a desk at the Pentagon, reviewing research grants, writing technical reports and assessments.

“Judy’ll be here in an hour,” I say. His daughter visits every Wednesday. We have to remind the Colonel each time. Each visit, he seems less interested in news from the outside world, as if his daughter and his grandchildren don’t exist to him anymore.

“An enemy we never even saw. Hell, I never saw ‘em myself,” he says. His eyelids droop down. He picks at one of his thumbnails until the cuticle bleeds. His lips quiver as he mumbles something to himself, remembering.

“Those big black eyes. Gourd heads. Gray, rubbery skin,” he says, the limp side of his mouth drooping down toward his collar bone.

Lane Chasek (@LChasek) is the author of Hugo Ball and the Fate of the Universe and two books of poetry. Lane’s first novel, She Calls Me Cinnamon, is forthcoming from Pski’s Porch.

Currently reading: Harvard and the Unabomber by Alston Chase.

Lily’s War

by

Susan Cornford

Lily jumped down from the transport vehicle and rearranged her kit bag and rifle, grateful that the gravity was only three-quarters that of her home world. Her eyes cut to the right and she saw the stark fear on Marjory’s face. The corporal might be an android but she always reacted phobicly to the dog-like hybrid troops that Lily could see disembarking from the adjoining vehicle. She leaned closer, laid her hand on the back of Marjory’s neck and pressed the fingerprint-activated reset button, murmuring, “We’ll have the battalion medic adjust your mechanism later.” Marjory nodded her thanks.  All in all, it was just another day in the Universal Army Corps.

She knew it had been a sensible decision on the part of the Consolidated Planetary Council, after so many worlds developed weapons of mass destruction that could, and once or twice had, disintegrated whole planets in some on-going warfare. So, now all wars were once again fought in the old-fashioned, soldiers-on-the-ground way. And they were restricted to a group of planets on the fringes of the known universe, where they would cause the least amount of disturbance. That’s why Lily was here: to fight for her home world against someone else’s home world for some cause that the politicians and negotiators had failed to resolve in peaceful and civilized ways. Lily could understand why the outlet was still needed; it was why she was here. She loved to fight and she’d found that everyone has some reason to do it.

*

Early next morning the battalions on both sides squared off across the hilly terrain. High-ranking officers gave the order to attack and the troops got down to it. Lily led her squad through the underbrush, silently signalling for them to spread out, as she scanned ahead for the tell-tale flash of sun on metal. There! Off to the right! She manoeuvred her soldiers into position. Rising briefly, she shouted, “Go!”, and they launched like a well-oiled machine. Bullets flew past her and pinged off nearby rocks. Rise, fire, duck, reload. It became like a mantra. By midday, they had gotten close enough that it had become hand-to-hand combat, with blood and bodies littering the ground as far as the eye could see. Before dark, the enemy started to retreat and finally managed to barricade themselves behind a natural, rocky outcrop. A stalemate was called for the day and the messy business of clearing up the wounded and dead began. Lily was lucky; she had only lost two of her squad. Many more had superficial wounds but these were easily dealt with.

The night was long dark before Lily had the chance to swallow a hot drink and some cold rations. Then she settled in her tent to compose and send off the death notifications to the bereaved families. Lily prided herself that she made each message unique and did not rely on the form letter that most others used. She wondered for a second about what she should do if her android, Marjory, were “killed”. Would she need to advise her manufacturer? “I must have been absent the day they covered that in training,” she mused.

Lily settled to sleep, hardly bothered by the occasional burst of gunfire exchanged by the two opponents, just to to let each other know that they were still fighting a war. As it happened every time she fell asleep, her mind unwillingly went back to her childhood and the many times she had been helpless and unable to fight back. Now, NOW she would make up for all that. Yes…

Susan Cornford is a retired public servant, living in Perth, Western Australia. She/her has pieces published or forthcoming in 365 tomorrows, AHF Magazine, Akashic Books Fri Sci-fi, Altered Reality Magazine, Antipodean Science Fiction, Corner Bar Magazine, Frost Zone Zine, Fudoki Magazine, Granfalloon Magazine, The Mythic Circle, Speculative 66, Theme of Absence and The Were-Traveler.

The Body in Battles & War

Against the backdrop of a world-wide pandemic and the largely undressed threats of climate change, it’s no surprise that life feels more uncertain than it has for many years. When it came time to set a theme for this issue (as we have done for all previous issues) we ended up deciding against it. With so much change happening all around us, it felt out-of-step to be prescriptive in any way.

We wanted to know what people were thinking about—their concerns, their feelings, their hopes and imaginings. We wanted to let the submissions speak for themselves and we hoped that a theme would emerge when we review them. Indeed, one did: Conflict… with each other, with our creator, with nature, and within ourselves and our bodies. The stories in this issue circle around the theme of human struggles—some enormous and world-reaching, others small and deeply personal.

They explore concepts of empathy and dehumanization—largely through the sense of the body in battle—whether it be a battle for acceptance of their identity in Astransnaut; the struggle of reclaiming one’s physical sensations one body part at a time, starting with their middle finger in Digit; acceptance of the value of life—even of different species, in Brood of War, and even the Colonel fighting long finished battles in his mind while his body faces the unwinnable battle against time. In Lily’s War, the protagonist is fighting alongside androids in the only kind of war allowed—a proxy war relegated to distant galaxies—and she muses about whether she must notify an androids maker in the case of loss, as she would a human’s family. It’s yet another angle on the question of the rights and treatment of those who are designated as ‘other’. Swans also envisions a battle and toys with the notion of ‘other’ when the invading ‘aliens’ are actually humans who left earth and finally returned with many enhancements and a desire to colonize and kill their earth-bound human predecessors.

We hope that reading these stories helps bridge the gaps between what is and what we wish to be. And whatever form it takes—human or not—may it at least be with compassion.

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Slay book cover

SLAY by Brittney Morris

Although this book came out in 2019, I waited far too long to get my hands on a copy. It tells the story of a teenaged Black girl game developer named Kiera Johnson and her game SLAY, a massive multiplayer online card battler game inspired by Black culture. Kiera’s identity as the game developer is kept secret until an unexpected tragedy brings the game into the news and a racist threatens to take Kiera to court.

Full disclosure: I finished this book in days because I found Kiera’s personal journey and the world of SLAY very engrossing as a Black non-binary femme gamer. Be on the lookout for my review of this book coming soon to The Afro YA.

The Sound of Stars by Alechia Dow

Last year, I happened to nab a digital copy of this book on sale because its premise seemed up my alley.  In short, a Black girl who loves books and an alien who loves music must work together to save the world. Set in a dystopian world controlled by aliens known as IIori, Ellie Baker maintains a secret library until she is discovered by an Illori commander. Although the commander is supposed to deliver Ellie to be executed, their secret love of pop music results in their bonding with Ellie, and the two of them decide to rebel against the IIori.

Books and music are in my top five favorite personal comforts, so how can I not read about people who love these things trying to save the world? Not to mention, the book’s cover is gorgeous.

The Sound of Stars
Slay book cover

Moonflower by Kacen Callender

Kacen Callender has been one of my favorite Black queer YA authors in recent years, and when I found out that they had a middle-grade book about a heavy topic that was personal to me, my interest was piqued. The novel stars a non-binary twelve-year-old named Moon who travels to the spirit world each night hoping to never return to the world of the living.

This novel is an allegory for depression and suicidal ideation, and Kacen Callender revealed in a Publisher’s Weekly article that it was partly inspired by his own experiences. Given that you’re never too young to experience depression, I am interested to see how Callender presents this experience through a child’s eyes.

StarLion by Leon Langford

 

Although I have written about this YA fantasy book elsewhere, I have yet to take the time to actually read it. The premise alone sounds exciting: a young boy named Jordan has the power to control gravity, but he gets arrested. Instead of going to jail, he decides to go undercover at superhero training camp featuring the Gods of Olympus. When he learns of a world-threatening plot, Jordan must join forces with other superheroes in training to stop it.

I have a soft spot for characters who don’t act so heroically when they first start out, so Jordan piques my interest. Did I mention the book’s cover looks fun and exciting?

 

The Sound of Stars
Slay book cover

Right Where I Left You by Julian Winters

A year or so ago, I heard that author Julian Winters was working on a queer Black YA book set at a fictional version of Comic-Con. This book turned out to be Right Where I Left You, and based on this premise and my enjoyment of Winters’s previous books, I am excited for this. Right Where I Left You tells the story of two queer boys of color, Isaac and Diego, who are best friends. Isaac tries to get a pair of passes to Legend Con to spend time with Diego before college, but things don’t go as planned when Isaac’s old crush Davi shows up.

Not only am I curious about how Isaac and Diego manage to have a good time despite not getting convention passes, I’m also excited to see how their relationship will change when one of them seems to start catching feelings for the other. This is a geeky friends-to-lovers book that I have been dying to read, so I will definitely be on the lookout for it.

 

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

 

 

Best Books to Give Black Readers This Holiday Season, 2021

Best Books to Give Black Readers This Holiday Season, 2021

Although this year was just as trying as last year, I still managed to read and recommend many great YA books by Black authors.

I even had a few surprises when I was directly asked by two Black authors to review their books.

Winter is the perfect time to curl up with a good book, so why not give them as presents this holiday season? Check out the best books to give Black readers during this 2021 holiday season.

Legacy: Women poets of the Harlem Renaissance by Nikki Grimes

I reviewed this poetry book earlier this year, and it is still lingering in my mind. This 2021 book bridges the past and present by featuring the unheralded voices of Black women Harlem Renaissance poets and Grimes’s own original poetry. The latter’s poems utilize the “Golden Shovel” method, taking one line from a Harlem Renaissance poem and using the words to create an entirely new poem. Accompanying the poems are sumptuous visual art pieces by some of the finest contemporary Black women illustrators. Although this collection is intended for a middle-grade audience, poetry lovers of all ages can appreciate this book.

(Full Review)

Getting By by Jaire Sims

When I was approached to review this 2020 book about a Black gay autistic protagonist figuring out his identity and future, I couldn’t say no. Given that there are only a small handful of books about Black autistic characters by Black autistic authors, I felt duty-bound to review this book as a Black neurodivergent reader. Despite experiencing bullying, his first romantic relationship, and some uncertainty about his college plans, the protagonist, Carver, remains honest and true to himself. While the formal narration style might not be for everyone, this book is a hidden gem that shines bright.

(Full Review)

The Tristan Strong Trilogy by Kwame Mbalia

 

This year saw the release of Tristan Strong Keeps Punching, the final book in Kwame Mbalia’s epic adventure series inspired by African and African American folktales and mythology. Centered on a twelve-year-old boy named Tristan Strong, the series sees its protagonist overcome internal and external threats to the land of Alke, a world populated by Black folk heroes and mythological characters. The previous two books, Tristan Strong Destroys the World and Tristan Strong Punches a Hole in The Sky, were released in 2020 and 2019. It was my immense joy to review these books, and I look forward to reading more from the author.

(Book 3 Review) | (Book 2 Review) | (Book 1 Review)

Every Body Looking by Candice IIoh

This novel in verse follows a Nigerian American teen named Ada as she begins college and starts figuring out what she truly wants for herself. Told in poems that express Ada’s past and present as well as trauma and triumphs, this book shows how Ada’s passion for dance affects her coming-of-age experiences as a Black girl. Although this book discusses sensitive topics such as fatmisia, misogynoir, sexual assault, and parental verbal abuse, Ada’s love of dance gradually allows her to embrace everything about herself that the world rejects. As the book progresses, Ada taps into her burgeoning talent while exploring career goals and her orientation.

(Full Review)

Things We Couldn’t Say by Jay Coles

 

Although I wasn’t sure what to expect when I was asked to review this book, its sensitive and opinionated Black bisexual protagonist, Giovanni, instantly won me over. Gio is a young man dealing with a lot: the return of the mother who abandoned him, his shaky relationship with his father, and a crush on a new boy at school. Yet it is through navigating these experiences that Gio learns the true meaning of love when it comes to family and romance. This book teaches how complicated love can be with a contemplative cast of characters and down-to-earth conversations.

(Full Review)

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by EKATERINA BOLOVTSOVA via Pexels

 

“Things We Couldn’t Say” Is a Powerful Book about Embracing Love and Letting Go

“Things We Couldn't Say” Is a Powerful Book about Embracing Love and Letting Go

When Gio was nine years old, his birth mother, Jackie, walked out on his father, Charles, and Gio’s younger brother, Theo. After not hearing from her for eight years, Gio suddenly receives an email from her out of the blue.

On top of his family issues, Gio is also starting to fall in love with a new student, David. Now, in order to make sense of everything, Gio must work through the complexities of love and decide how much he wants to have.

I was immediately pulled in by Gio’s voice and his first-person internal monologue. He is angry, but he is also sensitive and has anxiety and depression. Much of Gio’s emotions and personality expresses his experiences of being a Black, bisexual young man who is learning to experience life after significant trauma. He is multifaceted and true to life in the way he speaks and in the roles he plays as an older brother, son, and friend. This is demonstrated in internal dialogue such as, “But look, just because I live in the ‘ghetto’ doesn’t mean I’m out here holding a Captain America shield everywhere I go. I’m gonna give her the benefit of the doubt and not let the ghetto jump out of me to cuss her out.”

Not only is Gio a notable protagonist, but the people around him are memorable as well. His stepmom, Karina, is really loving and considerate, calling Gio “honey bunches” and giving him the space he needs to process emotions. Gio’s father, Charles, is a messy work in progress due to his biphobia and the fact that he is trying a little too hard to protect Gio from his mom and the rest of the world. Theo is a hopeful young boy who is doing his best not to let his social anxiety get the better of him. Finally, Gio’s birth mom, Jackie, is messy in that she wants to reconnect with Gio but doesn’t know how to give him the attention he needs. In addition to Gio’s family, Gio’s friends Ayesha, Malik, and Ollie are fun and loyal, while Gio’s love interest, David, is sweet and yet another work in progress.

Through the interactions with his family, friends, and love interest, Gio starts to navigate how intricate love is in different relationships. When it comes to his birth mom, Gio has to consider whether acknowledging and forgiving his mom is worth the pain she continues to inflict on him and his family. A similar issue occurs with his father, who drinks too much and doesn’t acknowledge Gio’s orientation, but who gradually takes steps to communicate with his son better. With Gio’s friends Ayesha and Ollie, there isn’t much issue, but he walks a delicate line with Malik due to the fact that Malik deals drugs to provide for his sick mother, Diane, and Gio tries his best to keep Malik out of trouble. Finally, David is the embodiment of having a well-meaning, loving white partner who just can’t understand all the challenges his Black partner faces.

In fact, much of this navigation is done through a mix of heartwarming interactions and difficult conversations. One conversation that is especially poignant occurs between David and Gio right after a racist altercation with a police officer in a record store. Not only does Gio refuse to gloss over what happened, sharing his own feelings honestly as well as his responses to how David reacted to the situation, but Gio and David also take some time apart from each other to process and see where they can go from there. Other remarkable conversations occur between Gio and his younger brother, Theo, in terms of what their mom used to be like versus how she is now. In terms of fun interactions, seeing Gio and his friends watch Netflix together is entertaining because of how they pick what to watch.

Although the family relationships, friendship, and romance are all compelling, the best character development comes from Gio himself. It is great that he is somewhat out with his orientation and yet at the same time chooses to be private with some people, such as the members of his basketball team—not to mention that he is learning what kind of love he truly deserves despite being traumatized and marginalized. His story is as powerful as those of other Black queer characters like Felix in Kacen Callender’s Felix Ever After, Alice in Claire Kann’s Let’s Talk About Love, and Julian Winter’s Remy Cameron in How To Be Remy Cameron.

All in all, Jay Coles’s Things We Couldn’t Say is a powerful book about embracing love and letting go. Love should not be conditional, and this book shows that it is possible to work out how much love you want and need and how it can affect you for better or worse.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

“Getting By” Is a Thoughtful Story about Attraction and Personal Growth

"Getting By" Is a Thoughtful Story about Attraction and Personal Growth

Carver, a seventeen-year-old Black man, is a high school student facing a variety of challenges. Not only is he preparing to take the ACT, but he is also dealing with violent bullies and trying to figure out his sexuality while immersing himself in his first romantic relationship. When things start to come to a head, Carver must figure out how to deal with everything and emerge unscathed.

One of the first things that I enjoyed about the book was Carver’s voice, which is formal yet very detailed and honest. While some might find it stiff and lacking expression compared to those of other teen protagonists, it’s important to note that Carver’s voice is different because he—and the author—are autistic. At one point, Carver mentions that his stoic way of speaking caused someone to nickname him “robot,” but how he doesn’t mind, since he knows he isn’t too expressive.

Of all the thoughts Carver shares with the reader, his thoughts about different levels of attraction are some of the most surprising and validating. Given that some people assume that autistic people are too childish to understand romance and sex, it was gratifying to see Carver openly and privately lust after men. At the same time, watching him realize what he wants from a romantic relationship by dating his best friend, Jocelynn, demonstrates the complexity of navigating personal sexuality.

In addition to his thoughts on his personal orientation, Carver is also gregarious about other things, such as his passion for photography, his hobbies of drawing and playing guitar, and his love of Disney films. Not only does he discuss these things through internal dialogue, but he also expresses his feelings about them with others he feels comfortable with, especially Jocelynn. One scene that I enjoyed is when the two of them go on a picnic and Carver plays a few songs that he learned on guitar.

In addition to Carver himself, there is also a decent cast of characters that drive the story along. Jocelynn is a very sweet young woman, while bullies Tyrell and Raymond are typically superficial, with a disturbing disdain for queerness. Ava and Heather are loyal friends to Carver. One character who was a pleasant surprise was Donnell, the Black jock who Carver crushes on and lusts after. At first, Donnell appears to be someone Carver can only admire from afar, but a single conversation late in the book humanizes him.

One minor issue this book has is that it can get dull when Carver isn’t narrating, thinking, or talking to someone else. Since Carver is the protagonist, it is understandable that his voice is the most dominant one in the book. However, the richness of the novel’s portrait of Carver is rarely extended to secondary characters who he doesn’t regularly interact with. It would have been nice, for example, to learn about Carver’s parents through conversations similar to those he has with Jocelynn’s parents.

All in all, Getting By is a thoughtful coming-of-age story about attraction and personal growth. With an authentic main protagonist and a nice cast of characters, this is a vibrant read.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by Thuanny Gantuss from Pexels

Pride Spotlight: Black Queer YA

Pride Month Spotlight: Black Queer YA

June is Pride Month. With the pandemic still affecting the economic situation of LGBTQ people and current legislation negatively affecting trans youth, it may seem we don’t have much to celebrate.

Yet the fact that we continue to survive, fight, and triumph in small and large ways is worth being happy about. One of the most notable things is the rise of Black LGBTQ+ authors in young adult fiction.

A decade ago, the only Black queer author I knew of who wrote teen fiction was Jacqueline Woodson. Now I can name at least a dozen authors. From verse novels to fantasy, Black LGBTQ+ authors have been leaving a colorful mark for a new generation to see. Check out some of the Black queer YA books I’ve enjoyed over the past few years.

The Black VeinsThe Black Veins book cover by Ashia Monet

Nothing says summer like a road trip, even a world-saving one. This is what happens to Blythe Fulton, a Black bisexual Elemental Guardian, after her family is kidnapped and taken to the Trident Republic. Of course, she can’t rescue her family on her own, so she must recruit other Elemental Guardians to help her.

In addition to the magic and action, I really enjoyed the downtime the characters experience in this book. The friendship is so fun and heartwarming, especially because there is some flirting but no romance whatsoever.

Felix Ever After by Kacen Callender

Not only is this book set during Pride Month in NYC, but it is also about a Black trans demi boy learning to have pride in himself. After his pre-transition photos are leaked, Felix Love must find the culprit while reexamining who he is and the kind of love he wants from others.

Felix’s personal journey is poignant because it shows that one’s gender identity isn’t necessarily set in stone after coming out. Furthermore, it demonstrates the importance of standing up for who you are, even if it means having hard conversations with friends and family.

The Summer of Everything by Julian Winters

Spending summer working in a bookstore may seem like a lot of fun, especially when it’s a safe space. But what if the bookstore is in danger of closing? Eighteen-year-old Wesley Hudson deals with this with the used bookstore Once Upon a Page. Not to mention, he is struggling to plan his older brother’s wedding, figure out his future plans, and confess his crush on his best friend, Nico Alvarez.

All of these things are a part of something that Wesley has been avoiding: adulthood. As Wesley deals with a lot over the course of the novel, he manages to figure out what is most important to him with the help of a colorful cast of characters.

Let’s Talk about Love by Claire Kann

Being in college is difficult, especially when your girlfriend breaks up with you for being asexual. On top of that, Alice is also trying to figure out her career path. Things become even more complicated when she ends up with a crush on her new library co-worker Takumi. What’s a Black biromantic girl to do?

This book lives up to its title as Alice figures out what she loves to do in order to identify her future career and redefine what love means, both romantically and in terms of friendship. Not only does this book show how complex love can be, it also shows that it’s worth discussing and exploring with others.

Magnifique Noir by Briana Lawrence

College-aged everyday young women by day. Magical girls by night (and sometimes day too). This is the basic premise of Magnifique Noir, a book series about a Black queer team of magical girls. The first book in the series focuses on gamer girl Bree Danvers and boxer Lonnie Knox as they take their first steps as magical girls alongside baker Marianna Jacobs, who is the most experienced of the three.

The second book copes with the aftermath of the first and demonstrates the importance of mental health and taking care of yourself. Both feature short comics and colorful art that enhance the narrative and give the sparkly antics extra shine. They also tackle certain experiences in a mature manner, such as misogynoir, difficult parents, and online trolls.

The Black Flamingo by Dean Atta

My favorite definition of poetry is “imagination written in verse.” When this definition is applied to verse that tries to define the poet’s self, the verses themselves become a source of power. This is the case with The Black Flamingo, which tells the story of Michael Angelis, a Black British gay man with Greek-Jamaican heritage.

Through performance and verse, Michael blossoms beautifully as we read his story from childhood to burgeoning young adulthood. By using a flamingo as a metaphor to figure himself out, Michael learns to stand out and be proud.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by Anete Lusina from Pexels