Long ago, the Gods of Olympus were forefathers to historical figures such as George Washington and Thor. Now they are superheroes.

Ten years ago, several of these superheroes gave their lives to stop the disastrous events of the Green Night. In the aftermath, a new generation of heroes are trying to do their part to fill the space left behind. One of them is Jordan Harris, a young Black boy with the power to manipulate gravitons. When he is arrested one night while doing vigilante work, he must go undercover at the superhero training academy Fort Olympus. While there, he discovers a world-threatening conspiracy that forces Jordan to work together in a team to save the day.

One of the first things that drew me into the book was Jordan Harris himself. His superpower is delightful, because he can manipulate gravity particles known as gravitons to travel through the air and fight. To explain further, Jordan can activate gravitons under his feet, leap into the air, and jump from building to building in order to do his vigilante hero work. In another scenario, he can pack gravitons into his fist in order to enhance the impact on his opponent. Jordan is also a bit of a nerd; he admires a Black superhero known as Kinetic, and his prized possession is a pair of gloves Kinetic signed with the words, “Be your hero.” Most importantly, Jordan is eager to prove himself, and his character arc is immensely satisfying as he comes into his own.

Of course, Jordan is not the only character undergoing growth, for he is joined by a stellar cast of teen and adult superheroes. Of the teen ones, my personal favorites are Alicia Jackson (a Black girl with plasma blast powers) and Ruben Alvarez (a Latino boy who is half demon), while Kinetic is my favorite of the adults. Like Jordan, Alicia desires to prove herself due to a personal connection to the events of the Green Night, and watching her learn better ways to use her powers is incredible. I also liked seeing Alicia define herself by taking the time to choose her hero name. Meanwhile, Ruben’s character development is thoughtful: his powers are initially feared, and Ruben must learn to control a lot of fear and anger that affect his powers. Last but not least, Kinetic is a tough and stern guy whose surprising connection to Jordan belies a soft maternal side.

Yet every hero needs a villain, and the mystery of the antagonist and their eventual reveal was interesting enough to keep me reading. I found their reasoning behind their actions a bit dull, but that could have been due to my own expectations. To give them credit, the antagonist does drive home a quote from the book that says villains aren’t born, they are made due to circumstance.

Together, all of these characters and their interactions give this book a lot of heart. If you like seeing a bunch of characters who half like and half hate each other learn to work together, then you’ll enjoy the dynamic between the characters. They put in a lot of work to learn to improve the use of their powers and then to synchronize with each other as a team. As the main protagonist, Jordan is the glue that brings everyone together, and it is emotionally satisfying to see him learn to trust others, since he is used to dealing with things alone.

Enhancing the book’s action and characters is fantastic anime-inspired artwork of specific scenes as well as brief profiles for each of the main characters. Highlights are the book’s cover, illustrated by A2T will Draw, the character profiles by Jeffery Cruz, and the “Regulus” scene by Daniel Bretas. These illustrations provide a visual element that make the novel almost like a comic book and allow the characters to shine brighter.

All in all, StarLion: Thieves of the Red Night is a dynamic superhero story with heart. If you enjoy coming-of-age superhero stories, give this book a try.

By day, Kiera Johnson is an honors student, but by night she is Emerald, a video game character in the massive multiplayer online game SLAY. Unbeknownst to her friends, family, and boyfriend, Kiera is also the developer of SLAY.

For a little while, SLAY is a sanctuary where Kiera and other Black gamers can display and express their Blackness without the pressure of expectations and racism. But one day a Black boy is killed over SLAY’s in-game currency and now Kiera’s game is in the news. To make matters worse, a racist has started to troll Kiera from within the game and threatening to sue her for discrimination. Now, Kiera must find the strength to reclaim SLAY and stand up for the game and herself.

One of the things that I enjoyed about this book is the concept of the game SLAY. Not only is it a cool mashup of a card battle game and a fighting game, but I really appreciated the amount of detail that the author put into the game’s rules, the player versus player battles, and the cards themselves. Having a video game exclusively for Black people with cards inspired by Black culture and the diaspora is delightful. Some of my favorite cards were the Gabby Douglas card, which gave the player the power to do gymnastics, and the Unbothered Card, which shields you from attack energy and then has a surprising effect. Not to mention, the player versus player battles are described in a way that it makes you feel you’re watching the battle as a spectator.

The book also does a good job of showing why SLAY matters to people. In between chapters focused on the book’s main protagonist, Kiera, we also have chapters focused on various SLAY players around the world. One chapter focuses on a mixed Black SLAY game moderator living in Paris and dealing with microaggressions, and another deals with a Black father learning to understand their kids by playing SLAY. There is even a chapter with a closeted Black trans girl playing SLAY. These chapters demonstrate how SLAY is a place to escape, where players can be their authentic selves and pour their hearts and passions into it. These chapters provide new perspectives on the game to consider, especially once the game becomes a topic of debate among people who don’t play it or aren’t the game’s demographic.

In fact, this debate is one part of Kiera’s larger central conflict as a character, which mainly stems from the fact that she feels she has to hide and conform parts of herself that don’t fit the ideals and expectations of Blackness pushed onto her by both Black and white people. Some of these people include her Black boyfriend, Malcolm, her mother, and white peers like Wyatt and Harper. These pressures never go away when you’re Black, and they are especially harmful for young Black people just coming into who they are. The exhaustion and exasperation that Kiera feels is shown in dialogue such as, “It’s why I created SLAY. I may have to deal with Jefferson all day, but when I come home, I get to pretend I’m not the minority, that my super curly hair isn’t ‘weird’ or ‘funky,’ or ‘new’ and ‘different.’”

Although Kiera initially feels it’s impossible for anyone to understand the pressures she faces, she gradually takes steps to get some people to understand. One of the most important steps she takes is with her family, especially her younger sister, Steph. Not only does this bring them closer together through SLAY, but Steph also becomes one of Kiera’s biggest real-world supporters when a certain character shows their true colors and becomes a threat to Kiera. Their sibling bond is very poignant to watch and ended up being my favorite relationship in the book.

In fact, Steph’s guidance also causes Kiera to become more socially aware. Before Kiera opened up to Steph, she was aware of how being a Black girl caused other people to treat her, but she felt she was alone in her experiences because of Steph’s tendency to overanalyze things at times and the fact that she and Kiera are the only Black girls at the school they attend. Once Kiera opens up to Steph, she also opens up to other people who play SLAY and finds that her experiences are echoed by others and that these experiences don’t have to ruin her self-image or the thing she’s created. Accompanying Kiera’s personal journey were easy-to-understand explanations of terms like “Slay” and “hotep,” which could help young Black readers who may need to explore and define Blackness on their own terms.

While the book is mostly great, I would have liked to see more of SLAY’s game world outside of the player-versus-player battles. Kiera didn’t just make a PVP card battle game—she made an entire world with players, cards, and areas inspired by Black culture. In hindsight, this exploration may not have fit the narrative well, since the book is mainly set in the real world, but maybe a spinoff book could resolve this issue in the future. I also didn’t like how Kiera felt that she had to make nice with white siblings Wyatt and Hayley even after their racism and microaggressions made her uncomfortable. Instead, I wish she could’ve had at least one Black friend in the same state or country who played SLAY.

All in all, Brittney Morris’s SLAY is a creative, geeky read that will touch young Black readers, whether or not they play video games. It demonstrates that even though you may have to fight to do so, you can be your fullest self regardless of what anyone else thinks.