“A Dream So Dark” Is a Dark, Thrilling Return To Wonderland

“A Dream So Dark” Is a Dark, Thrilling Return To Wonderland

It has been ages since I have been emotionally invested in a book series.

Last year, I reviewed L.L. McKinney’s A Blade So Black and was utterly delighted. When the sequel, A Dream So Dark, was announced, I couldn’t wait to return to the Nightmare Verse series. Alice Kingston is a compelling and relatable heroine, and I wanted to see where her adventures would lead her next.

After the tumultuous climax to A Blade So Black, Alice Kingston must journey into a corrupted Wonderland to rescue her friend Maddie, a powerful Poet who has been kidnapped by dark forces. Alice is also dealing with the grim betrayal of her best friend, Chess, and the ongoing peril of the Black Knight. With these dangers come inner turmoil that threatens to tear Alice apart.

One of the most engrossing things about this book is Alice’s internal struggle with her fears. I have never liked so-called “strong female characters” who are allowed to be physically strong but not emotionally vulnerable, and this especially applies when those characters are Black girls and women. Black women are often expected to care for everyone but themselves, so to see Alice cry, be comforted, and learn to face her fears is wonderful.

Speaking of people who care for Alice, I really liked how Alice’s mother was written in this book. In the first book, the mother-daughter relationship was on thin ice because of Alice’s constantly breaking curfew due to her secret superhero lifestyle. In this book, it becomes even harder for Alice to keep her Dreamwalker duties a secret. In spite of all the lying, worry, and frustration, Alice’s mother still tries to understand her daughter as much as she can. Without giving away too much, I can say that it was really heartwarming to see the two grow closer in this book.

Another character that I liked to see caring for Alice is Alice’s grandmother, Nana Kingston. She was casually mentioned in the first book, so it was a pleasant surprise to see more of her in this one. Nana Kingston displays signs of Alzheimer’s disease but belies strength and cheekiness that radiates warmth and love to Alice. I especially liked the gift she gives Alice before she and her mom leave the nursing home.

I have never liked so-called “strong female characters” who are allowed to be physically strong but not emotionally vulnerable, and this especially applies when those characters are Black girls and women. Black women are often expected to care for everyone but themselves, so to see Alice cry, be comforted, and learn to face her fears is wonderful.

Of course, Nana Kingston and Alice’s mother are only two of the characters that made a good impression. Old characters like the Black Knight and Addison Hatta received some surprising character development that also added to the world-building of Wonderland. In particular, the Black Knight’s character development was interesting because it made him more than a one-dimensional villain lackey, though I wasn’t too keen about seeing certain chapters switch to his point of view.

Meanwhile, this book also introduces some newer characters. There are Romi and Haruka, Japanese Dreamwalkers and protectors of the Eastern gateway of Wonderland. Both are strong warriors, but Haruka is the most intriguing, as she serves as both a new friend and a new crush for Alice. Seeing those two bond over past battles and Sailor Moon was a lot of fun. It was also nice to see Alice’s bisexuality be so casually featured and confirmed, since I had my suspicions about Alice’s orientation in the first book.

One other newer character that was enjoyable was the Big Bad of the book. I liked how cunning they were in terms of their plan to manipulate Alice, Addison, an evil version of Chess, and the Black Knight. I also liked how genuinely scary their power over the Nightmares were. They embody the darkness of Wonderland to its fullest, and the reveal of their identity is well done.

It was also nice to see Alice’s bisexuality be so casually featured and confirmed, since I had my suspicions about Alice’s orientation in the first book.

There wasn’t much I disliked about the book. One improvement over the last book is seeing Chess and Courtney play bigger roles in Alice’s adventure, for better and for worse. I ended up liking them more than I did in the first book, and I’m interested in seeing how the events in this book will affect them in the next. In fact, this book made me extremely impressed with how the author has managed to handle such a huge cast of characters in the series.

All in all, this book is a darker, entertaining return to Wonderland that hardly disappoints. Alice fights darkness from within and without to emerge as a better hero and plant the first seeds of Wonderland’s return to its former glory. A Dream So Dark is a thrilling continuation of the Nightmare Verse series, and I eagerly await what will come next.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by Johannes Plenio from Pexels

 

 

“Opposite of Always” Teaches How to Value Love through Time Travel

"Opposite of Always" Teaches How to Value Love through Time Travel

Most romance stories usually follow the same formula. Boy meets girl. Boy and girl fall in love. Boy and girl have some misunderstandings but somehow manage to declare their love for each other and live happily ever after.

In Justin A. Reynolds’s Opposite of Always, this formula gets a little more complicated thanks to a four-month time loop.

Jack Ellison King is an African American teen who never quite succeeds at important milestones. When he meets Kate on the steps of a house party, he’s hoping to somehow succeed at romance. Then Kate tragically dies of an illness, and Jack is sent back in time to the day they met. Given the second of many chances, Jack strives to prevent Kate’s death while weighing the consequences of his choices and the people he chooses to be with.

Given the second of many chances, Jack strives to prevent Kate’s death while weighing the consequences of his choices and the people he chooses to be with.

In addition to Jack himself, I also enjoyed the people he’s surrounded by, including his parents, his best friends, Franny and Jillian, and sometimes Kate herself. Jack’s parents are really good parents who want Jack to be happy while expecting him to honor his commitments. Franny and Jillian are dating each other and still manage to be good friends to Jack, setting a good example for him. Meanwhile, Kate is a really sweet love interest who can’t dance, wants to be an architect, and has a caring and protective family.

All of these characters really enrich the romance, comedy, and drama in the storyline. The farther you get into Jack’s attempts to save Kate, the more you learn to appreciate Jack and Kate’s romance and the higher the stakes become when it comes to his other relationships. As a result, you want Jack to succeed, but you also want Jack’s friends and family to be happy. A personal favorite subplot involves Jack trying to help Franny mend things with his absent father, Mr. Hogan.

Though I enjoyed the book, there were a few flaws that I couldn’t help but notice. One involves the characterization of Kate, who is not a stick-figure love interest but is not as fleshed out as I would have liked her to be. As much as I appreciated reading a romantic dramedy with two Black leads, I wish we had a chance to see more of Kate’s character in terms of her personal interests and skills.

All in all, Opposite of Always is an entertaining coming-of-age romantic dramedy that teaches the value of small moments and decisions. Love from a partner, a friend, or a family member matters, and it is important to cherish all the love that comes your way for as long as you can.

I had mixed feelings about the time loop as well. This might have been due to my limited exposure to time travel in pop culture, but I was expecting the time loop to be shown differently than it was. As a result, I was left a little disappointed by it at the end of the book. Yet I was willing to overlook a plot hole with the time loop when I realized that the author was doing his best to balance two different fiction genres in the same story.

All in all, Opposite of Always is an entertaining coming-of-age romantic dramedy that teaches the value of small moments and decisions. Love from a partner, a friend, or a family member matters, and it is important to cherish all the love that comes your way for as long as you can. The book was refreshing and enjoyable, and I hope its movie adaptation will be, too. 

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by Beth Tate on Unsplash

 

“The Black Veins” Is an Epic Adventure Filled with Magic and Family

"The Black Veins" Is an Epic Adventure Filled with Magic and Family

One mysterious night, Blythe Fulton, an Elemental Guardian, is magically compelled against her will.

After reaching out to the magical government known as the Black Veins, Blythe’s family is kidnapped and taken to the Trident Republic. In order to save them, Blythe must embark on a cross-country road trip to find and team up with the other six Elemental Guardians. Along the way, Blythe must discover the secret to unlocking her magical abilities, learn to be a leader and friend, and figure out the connection between her family’s kidnapping and the tensions between the Black Veins and the Trident Republic.

The Black Veins is the first book in the Dead Magic series. It releases July 17, 2019.

The Black Veins is the first book in the Dead Magic series. It releases July 17, 2019.

The thing I immediately liked about this book is the book’s main Black teen lead, Blythe Fulton. I especially enjoyed the juxtaposition of Blythe’s status as an Elemental Guardian in the magical world and her status as a Black girl in the real world (aka the “Common World”). Even though Blythe has yet to unlock her powers, being an Elemental Guardian allows her to be given protection because of how important the Guardians are. However, those who are Common (i.e., non-magic) still see Blythe as a Black girl, exotic one moment and criminal the next.

Blythe is awesome and relatable as person. She is so many things, among them bisexual, nerdy, resourceful, impulsive, and kind. One of the most touching examples of her kindness is when she explains friendship to Daniel, an Elemental Guardian who has lived a sheltered life: “Friendship is an art, like gardening or photography. It’s something you get better at with practice, and not everyone does it the same way. So don’t worry if you don’t get it now. It’ll happen.”

Blythe is … so many things, among them bisexual, nerdy, resourceful, impulsive, and kind.

The other Guardians have their own quirks and imperfections that will make you both enjoy them and yell at them. One who comes to mind is Cordelia Deleon, Guardian of the Mind and a haughty Chinese hacker who undergoes some major humbling. Another is Guardian of Time Storm Crane, a fat, Black vigilante hero who is kick-butt and initially single-minded in pursuit of her own goals. The only thing more interesting than the Guardians as individuals is the Guardians becoming a family.

Although each of the Guardians is recruited into Blythe’s mission in different ways and all have their own personal agendas, watching them grow close to each other is incredibly moving. These moments are especially memorable when they have time to catch their breath and be teenagers talking and having fun with each other. Much of the fun consists of dialogue between the characters, which is purely friendship, with only a little bit of flirting between some characters. It is refreshing to see queer characters in a book without a love interest, because queer friendships are just as important as queer romance.

Speaking of the dialogue, there is a lot of great stuff that is a mix of funny, comforting, and true to life. One of my favorite bits is when Blythe and Storm are complimenting each other. Blythe says, “I like you, for what it’s worth.” Storm replies, “I’m straight.” to which Blythe says, “I meant as a friend. You’re not even my type.” Storm says she’s insulted, and Blythe cheekily says, “Straight girls always are.” If this book ever gets adapted into a TV series or a film, I really hope they keep the banter and the downtime between the Guardians.

A final aspect of the book I enjoyed was the world-building. The concept of a world of magic hidden alongside the ordinary world is always interesting, and Monet does a good job of introducing readers to the world of the Elemental Guardians and magicians. From how magic is hidden from Common people to a magicians’ war to a forest that allows time travel, there is a lot for the fantasy reader to delight in. My personal favorite bit of world-building is “the Gilded Wardrobe,” a thrift store for magical goods.

From how magic is hidden from Common people to a magicians’ war to a forest that allows time travel, there is a lot for the fantasy reader to delight in.

There wasn’t much I disliked about The Black Veins. While the novel’s major antagonist certainly showed they were not to be trifled with, I found them a little boring. I was also interested in learning if magic affected modern technology like smart phones and social media, but the novel did not address this — though I admit my curiosity was mostly a personal one. Since this book is the first of the Dead Magic series, there is plenty of room for the world of The Black Veins to grow.

Overall, The Black Veins is an entertaining read, an epic adventure filled with magic and found family. If you love fantasy or have wondered what certain fantasy series would be like if they took place during the age of social media, give this book a try. It’s full of action and fun for teens, but anyone can enjoy it.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo courtesy Caleb+Kaci Carson from Pexels.

 

“Demons Are Not Fearless Black Boys with Imagination,” “Lake Girl,” and “Baby Island”

Editors' Choice Poems

We are delighted to present this week’s selections from the Brain Mill Press Poetry Month Contest, Break Poetry Open, by talented poets Jeremiah Davis, Meg Eden, and Riley Welch.

We hope you’ll enjoy these editors’ picks as much as we did.

Demons Are Not Fearless Black Boys with Imagination

Jeremiah Davis

Shape a universe into a butterfly then release it. Bribe the
dark spaces in your heart to let you create an estuary of
flowers. Pray like an off key piano and celebrate the fifth
grade memory when it was so simple it was a blessing to
dream and live it again. Tell your broken maestro he is
worthy of the song he’s been practicing. Talk with the
instrument in his passion. Let go. Let go. Let’s go. Let it go. I
never understood why crows were not called ‘black doves.’
They are just as beautiful. I never understood why the black
boy was never allowed to know he had the liberty of
dreaming off topic. They are just as beautiful.

Jareen Imam author photo

Jeremiah Davis is poet as well as an author. He has been writing poetry since grade school. Jeremiah started writing to better battle mental illness and overcome bullying. He has been published in The Perch Magazine, Phemme Zine, Junto Magazine, and more. He is twenty-two with aspirations higher than his age. More of his work can be found here.

Lake Girl

Meg Eden

 

Jareen Imam author photo

Meg Eden’s work is published or forthcoming in magazines including Prairie Schooner, Poetry Northwest, Crab Orchard Review, RHINO and CV2. She teaches creative writing at Anne Arundel Community College. She has five poetry chapbooks, and her novel “Post-High School Reality Quest” is published with California Coldblood, an imprint of Rare Bird Books. Find her online at www.megedenbooks.com or on Twitter at @ConfusedNarwhal.

Baby Island

Riley Welch

Jareen Imam author photo

Riley Welch is a poet from Texas living in Denver. Her work has previously appeared in The Write Launch and Authentic Texas Magazine, among others. More of her poetry can be found at her blog, arhymeaday.com

 

National Poetry Month

BMP Celebrates National Poetry Month — Break Poetry Open

For this year’s National Poetry Month, Brain Mill Press & Voices want to add to your #TBR pile, sing siren songs of unsung heroes, and signal boost living poets we should be reading more. By the end of the month, we hope you will have acquired 30+ new books of poetry and that they continue to multiply in the darkness of your library. Explore new voices & new forms — re-read some old favorites — play if you liked this poet, you’ll like... the old-fashioned way, algorithm-free — just poetry lovers talking to poetry lovers, as the Universe intended. Happy #NaPoMo2019 from Brain Mill Press.

Break Poetry Open Contest Winner

Break Poetry Open Contest Winner

Hannah Soyer

—C. Kubasta, Editor, BMP Celebrates National Poetry Month 2019

Winner

“what do i know about consent anyway” by Hannah Soyer

Short List

“A composing book, 1973” by Daisy Bassen

“FOR COLORED GURLS WHO HAVE CONSIDERED SUICIDE WHEN THE TWIST OUT WAS NOT ENUFF” by Levi Cain

“[mispronunciation]” by Uma Menon

Editors’ Picks

Week Five

“To: that nought in da jcemestry” by Penelope Alegria

“To Cry Out” by Cassandra Hsiao

“This Cosmic Dance” by Natasha McLachlan

what do i know about consent anyway

Contest Winner

Hannah Soyer

About Hannah Soyer

Hannah Soyer is a disabled creative writer and artist interested in perceptions and representations of what we consider ‘other.’ She is the creator of the This Body is Worthy project, which aims to celebrate bodies outside of mainstream societal ideals, and the founder of Freedom Words, a program to design and implement creative writing workshops specifically for students with disabilities. She has been published in Cosmopolitan, InkLit magazine, Mikrokosmos Journal, Hot Metal Bridge, Rooted in Rights, and her most recent piece, ‘Displacement,’ has been nominated for a Pushcart Prize.

thisbodyisworthy.com

Twitter/Instagram: @soyernotsawyer

A composing book, 1973

Short-List Selection

Daisy Bassen

The book is old.
The book has a yellow cover.
The book was given to me by my father.
My father was a teacher.

The book is simple.
The book is deceptive.
Deceit is valuable.
Deceit is proscribed.

The sentences are short.
The sentences make a song.
The sentences want involution.
A clause has claws.

The claws are yellow.
The claws are old.
The sentences are about bombs.
The sentences are about immolation.

The book belonged to a girl.
The girl was a student.
She learned about bombs.
The yellow of immolation.

The sentences are about runaways.
She ran away.
The girl.
Clawed.

About Daisy Bassen

Daisy Bassen is a practicing physician and poet. She graduated from Princeton University’s Creative Writing Program and completed her medical training at The University of Rochester and Brown. Her work has been published in Oberon, The Delmarva Review, The Sow’s Ear, and Tuck Magazine as well as multiple other journals. She was a semi-finalist in the 2016 Vassar Miller Prize in Poetry, a finalist in the 2018 Adelaide Literary Prize, a recent winner of the So to Speak 2019 Poetry Contest and was doubly nominated for a 2019 Pushcart Prize. She lives in Rhode Island with her family.

National Poetry Month

FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE WHEN THE TWIST OUT WAS NOT ENUFF

Short-List Selection

Levi Cain

swear on my mama
no–swear on something more
simple and sacred.
swear on my brother’s future mixtape,
swear on pig fat in collard greens and
freshly whipped shea butter,
arroz con what the fuck ever–
that the cracked cushion chair of
my hairdresser’s closet is
in fact a cathedral,
packets of yaki and remy dotted
with the same angels,
skin the color of good brandy.
the nollywood movies blaring
on the thrifted television is
the preacher.
there is one constant truth–
the half-room in waltham is
a tabernacle for second generation girls
who never learned how to cornrow.

a blackgurl’s bond with a hairdresser
is tighter than the binding of isaac,
requires more faith than you
ever know how to give
after years of lye being applied
to your scalp,
after years of being teased by
whitegirls who crow that
your hair looks like brillo pads
that they wouldn’t let their housekeepers
scour the sink with.
the same whitegirls who now quiz you
on coconut oil
and ask you to anoint them
with the wisdom of
deep conditioning.

i and every other blackgurl
who grew up in the suburbs
are haunted by visions of hot combs
and strangers putting their hands in our hair,
pulling so sharply we swear
we hear the echo of a whip crack.

but those ghosts have no place here,
in this space that has only space enough
for you,
your hairdresser,
and maybe her friend from haiti
who you do not know the name of
but who twists braids so gently it is
as if she wants to be your mother.

this is an act of love,
but all gods are not filled with goodness
and so neither is the woman
who stands with jojoba in her right hand,
84 inches of kankelon in her left,
who asks why you never
seem to have a boyfriend,
who told you she would rather die
than break bread with faggots
but passes you plantains as communion,
presses your forehead
to her chest as madonna,
calls you daughter,
welcomes you with open arms
to a rented room
in a part of a town that would make
a principal’s lip curl
–this blackgurl bethlehem,
this satin covered resting place,
this plane of being where
you are you
are blackgurl,
are celebration,
are miracle,
are nothing but holiest of holies.

About Levi Cain

Levi Cain is a queer writer from the Greater Boston Area who was born in California and raised in Connecticut. Further examples of their work can be found in Lunch Ticket, Red Queen Literary Magazine, and other publications.

[mispronunciations]

Short-List Selection

Uma Menon

i try to pull out a chameleon’s
tongue from inside my throat,
change the color, change it all
before another
……………[mispronunciation]
leaves my colorless mouth

instead i find my mother tongue
stuck inside my throat, a lump
forgotten only by me
& i find a desire, tucked away,
to strangle her and choke myself
before another
……………[mispronunciation]
escapes without explanation

i am afraid that i have stained
the english that i speak
that it yearns to be bleached
in cold sand

i watch my mother chug down
womanhood,
let it slide through the grip of her
mother tongue,
into the stomach of America
……………[& her mispronunciations]

About Uma Menon

Uma Menon is a fifteen-year-old student and writer from Winter Park, Florida. Her writing has appeared or is forthcoming in the Huffington Post, The Rumpus, and National Poetry Quarterly, Sahitya Akademi’s Indian Literature, and the Cincinnati Review, among others. Her first chapbook was published in 2019 (Zoetic Press); she also received the 2019 Lee Bennett Hopkins Award in Poetry.

National Poetry Month

To: that noght in da jcemetsry

Contest Editors’ Pick

Penelope Alegria

Th city light s r beutiful 2night.
Sky twinkles starligt on sidwalks
with cracks that almost shape like ur
sillhouette in twinkling moondust.
Clay polish tatters blu on ashes of
cigar wrappers flickering burnt blac
n im thinkn of the time u rolled roun
in somebody else’s ashes in that gravyard
next to the church with the clouds
rdy to snow upside down crosses.

Did u kn o th grass smells lik tequila
n th boys breaths smells like lilac
flickering burn t blqck sparks n my
legs feel like pillow n l8ly it dpens’t feel
right wrapping myself up in white
bedsheets bc they dont feel wuite as
electric as ur fingertips n m drunk

Im drunk im dunk m drnk n i want
u nex to me w legs like pillows n
breath like lilac burnt black n u
rollin around in someboyd else’s ashes
n i dk y u wouldnt want that eithr

About Penelope Alegria

Penelope Alegria has participated in Young Chicago Authors’ artistic apprenticeship, Louder Than a Bomb Squad. Her work has been featured or is forthcoming in La Nueva Semana Newspaper and El Beisman. Penelope was among the top 12 poets in Chicago as a Louder Than a Bomb 2018 Indy Finalist and was awarded the Literary Award by Julian Randall. She has performed spoken word at The Metro, University of Chicago, and elsewhere.

National Poetry Month

To Cry Out

Contest Editors’ Pick

Cassandra Hsiao

yellow: the cold echo of collapse muddled muddied
house of decay return to the ground that bore me
grow betrayal roots below mold my fingertips
bleed flag i no longer show pale yellow: crayoned
sun shine shield i risk changing colors if i don’t
yellow: aroma that does not lie trapped in tin pots roasted
crisp red brown duck i can taste home cannot find home
sell home know home remember touch of yellow: lazy tongue
remarks sting firecracker never cool enough to swallow yellow:
taste morning hours sunrise son rise sweet victory to open shop
open bells jingle lucky cat licks its paws yellow: eyes
glass over cat looks white yellow: light

About Cassandra Hsiao

Cassandra Hsiao is a rising junior at Yale University, majoring in Theater Studies and Ethnicity, Race & Migration. Her poetry, fiction, and memoirs have been recognized by Rambutan Literary, Animal, Claremont Review, Jet Fuel Review, and National YoungArts Foundation. Her plays have been selected as finalists for national playwriting competitions held by The Blank Theatre, Writopia Labs, Princeton University, Durango Arts Center, California Playwrights Project, and YouthPLAYS. Her work is currently being produced in theaters across the nation. She has also won a Gracie Award for her entertainment journalism and was recognized as a Voices fellow for the Asian American Journalists Association (AAJA).

Instagram/Twitter: @cassandrahsiao

Facebook: https://www.facebook.com/LoveCassandraHsiao/

National Poetry Month

This Cosmic Dance

Contest Editors’ Pick

Natasha McLachlan

About Natasha McLachlan

Natasha McLachlan is a poet currently living in Southern California. After losing her speech in 2018 due to unforeseen circumstances, she fell in love with reading all over again, as it helped her cultivate self-care–this, she hopes, will be a cure for others in a hectic and frantic lifestyle. She was a first-generation college student, graduating from California College of the Arts with a bachelor’s degree in Writing and Literature. As a minority, she takes pride in breaking the barriers and stigma around individuals of color by simply being herself. When she is not writing, she is spending time with her family or bonding with her 9 siblings, whom she considers her best friends. Her inspiration comes from the moons and stars around her, nature being her greatest muse.​

National Poetry Month
National Poetry Month

BMP Celebrates National Poetry Month — Break Poetry Open

For this year’s National Poetry Month, Brain Mill Press & Voices want to add to your #TBR pile, sing siren songs of unsung heroes, and signal boost living poets we should be reading more. By the end of the month, we hope you will have acquired 30+ new books of poetry and that they continue to multiply in the darkness of your library. Explore new voices & new forms — re-read some old favorites — play if you liked this poet, you’ll like... the old-fashioned way, algorithm-free — just poetry lovers talking to poetry lovers, as the Universe intended. Happy #NaPoMo2019 from Brain Mill Press.

Poetry Month Feature

Poetry Month Spotlight

Rogue Agent

National Poetry Month
National Poetry Month

BMP Celebrates National Poetry Month 2018

Maybe you have lines living in you. Maybe you’ve been walking around like the speaker in Maggie Smith’s “Good Bones”: “This place could be beautiful, / right? You could make this place beautiful.” Maybe you’ve been inspired by Isobel O’Hare’s erasures, and have an urge to address some things. Maybe you’ve woken up in the spiked night, with a line swimming out of the deep. Maybe you have a story to tell. Or, maybe you memorized Jericho Brown’s “Colosseum” and have been repeating to yourself: “I cannot locate the origin / Of slaughter, but I know / How my own feels, that I live with it / And sometimes use it / To get the living done . . .”

These poetic efforts have touched me in the last few months, in that strange trigonometry of language, chance, and seeking, that we readers and writers do. Brown’s lines resonated with me, brought me low, and offered something – if not quite comfort, then a kind of recognition.