“How To Be Remy Cameron” Explores Identity with Complexity and Care

“How To Be Remy Cameron” Explores Identity with Complexity and Care

When other people define you based on labels, it can be hard for you to define yourself.

This is the conflict at the center of Julian Winters’s second novel, How To Be Remy Cameron. After being assigned an essay about who he is, seventeen-year-old Remy Cameron must come to terms with the labels others have given him and how they fit into how he sees himself.

For Remy, the most suffocating labels are the gay kid, the Black one, and the adopted child. Each label is a reminder of his Otherness, and confronting them via an essay that’s worth half his grade and a chance at a prestigious college is overwhelming—as it would be for anyone who has attended public high school. In fact, Remy feels so overwhelmed that he refers to the essay as “The Essay of Doom.

When other people define you based on labels, it can be hard for you to define yourself. This is the conflict at the center of Julian Winters’s second novel, How To Be Remy Cameron.

While dealing with this essay and the labels placed upon him, he also experiences two life-changing events. The first is learning about a previously unknown member of his biological family. The second is crushing on Ian Park, a Korean young man who recently came to terms with his orientation and isn’t publicly out. These events are notable not only in terms of character development but also because they deliver refreshing storytelling.

As a reader, I really appreciated how Remy isn’t completely cut off from his biological family. Given that the book’s premise is about identity and his adopted family is white, it would have felt uncomfortable not to see him interact with any other Black people besides one of his friends. The biological family member who reaches out to Remy is wonderfully fleshed out, becoming a nice confidante while being her own character. Furthermore, the topic of adoption is explored in a sensitive and realistic manner through Remy’s adopted family and his biological family.

When it comes to Ian Park, Remy’s crush and their subsequent romance is both amusing and heartwarming. A particularly enjoyable aspect of their interactions is how they always ask each other permission to kiss and touch each other. Remy learns to do this from Ian, who in turn learned the importance of consent from his grandmother. It’s really nice to see Remy adapt to Ian’s needs this way, especially since Ian isn’t publicly out yet. Remy never tries to get Ian to do anything before he is ready to, and this allows Ian to explore his orientation at his own pace.

In addition to these events, other aspects of the storyline help Remy question his identity further. One enjoyable scene is a conversation about music tastes between Remy and Brook, another Black student. It moves from talking about their favorite music artists to how eclectic their tastes are and how music doesn’t define them. The dialogue shows how close the two are as friends while giving Remy a small nudge in his personal journey.

Speaking of friendship, Remy’s interactions with his circle of friends are fun to watch. Featuring the witty Lucy Reyes and the single-minded Rio, among others, their dialogue never sounds forced or too cheesy. Remy and Lucy’s scenes together are especially amusing, because Lucy teases Remy in a way that is friendly and supportive. At one point, Remy must learn not to keep his friends in the dark too much, and it’s touching to see friendship and romance given an equal amount of weight.

All in all, How To Be Remy Cameron is a thoughtful, poignant, and fun coming-of-age experience.

Other notable characters include Remy’s adoptive family and his English teacher, Ms. Amos. Remy’s adoptive family is quirky and loving, with the mom into 80s music and the father able to make wicked French toast recipes. As the book progresses, both realize that while they can listen to Remy and try their best to cheer him up, they aren’t always going to be able to help him through certain things. Meanwhile, Remy’s English teacher is wonderful and honest in a way that puts things in perspective for Remy and encourages him to find his own voice.

All in all, How To Be Remy Cameron is a thoughtful, poignant, and fun coming-of-age experience. While self discovery isn’t always easy, Remy’s willingness to question and learn about himself is inspiring. With a great cast of characters, memorable dialogue, and a entertaining setting inspired by Dunwoody, GA, this book is wonderful.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by alex bracken on Unsplash

 

“Who Put This Song On?” Is a Heartfelt Exploration of Identity and Mental Health

“Who Put This Song On?” Is a Heartfelt Exploration of Identity and Mental Health

Due to my intensely personal experience with depression, I was really interested in Morgan Parker’s semiautobiographical debut young adult book, Who Put This Song On?

Set in 2008 in a conservative Southern California town, the book follows the story of Morgan Parker, who is told depression is something that happens to people who lack faith, and that her Blackness shouldn’t be mentioned too much. Following a mental health crisis, Morgan decides to figure out who she is. Armed with an expansive soundtrack of mostly 2000s emo music, Morgan examines herself and everything she has been told in order to find out who she wants to be.

Armed with an expansive soundtrack of mostly 2000s emo music, Morgan examines herself and everything she has been told in order to find out who she wants to be.

One of the things I immediately liked about the book was the voice of Morgan Parker’s teen self. She sounds tired, but also curious and resilient. She has hit rock bottom, but she is willing to climb out of the hole depression caused her to fall into. Above all, Parker’s teen self has a voice filled with hard-won clarity that results in honest observations about her mental health, her identity, and the world around her.

Morgan’s teenage voice is enhanced with diary entries, emails, and a Yellow Notebook in which she and her friends write about their exploits in sex, romance, and crushes. One of my personal favorite lines is, “I have no idea if I have the hypothetical and figurative balls to be a Black Panther or actual Rosa Parks… sometimes I don’t even know if I want to keep being alive. But as long as I’m here, and I’m me, I will definitely be intense, ridiculous, passionate, and sometimes hilarious.”

In addition to Morgan herself, the secondary cast of characters is also worth mentioning. There’s her white best friends Meg and James, her Black love interests David Santos and Sean Santos-Orenstein, the racist history teacher Mr. K, and Morgan’s family. All of these characters affect Morgan both positively and negatively, and the nuanced way they are presented adds depth to the narrative. At one point, Meg has to be called out by Morgan when Meg says, “You’re not really Black,” even though Morgan considers Meg a friend.

It’s worth noting, too, that the way Morgan is treated by her small town and family is influenced by mental health stigma, her religiously conservative community, and the 2008 political climate. To her white peers and white adults, Morgan is expected to be excited at the possibility of a Black president as well as an authority on Black history, even as she is asked not to bring up her Blackness too much.

Moreover, Morgan’s family alternates between treating Morgan like a difficult, fragile person to be around and treating her as someone who is trying her best to live. They know Morgan is going through a difficult time, but they don’t quite understand it. They let Morgan see a therapist and help her get access to antidepressants, but they also try to avoid the issue and frequently blame Morgan herself until they realize their mistake.

“I have no idea if I have the hypothetical and figurative balls to be a Black Panther or actual Rosa Parks… sometimes I don’t even know if I want to keep being alive. But as long as I’m here, and I’m me, I will definitely be intense, ridiculous, passionate, and sometimes hilarious.”

Still, there are characters in the book who are more sensitive toward Morgan’s mental health issues and open-minded about her questioning of religion, Blackness, and her place in the world. Cousins David and Sean Santos fill this role as both love interests and new friends. When David first meets Morgan, he helps her through a panic attack, and they talk about their favorite movies. Both David and Sean are notable for being presented as added emotional support, rather than cure-alls for Morgan’s depression.

Finally, the music references are a fun bonus throughout the book. Although I was only familiar with one or two of the artists, it was nice to see a Black girl coping with her depression through emo music without anyone giving her a hard time about it. Seeing so many different 00’s emo music artists mentioned rang true to my own experiences of my teens and early twenties.

In the end, this book was a heartfelt exploration of identity and mental health. Who Put This Song On? shows that you don’t have to let your mental illness or other people determine who you can be, even if you’re tired of fighting. By questioning what you are taught and forming your own sense of self, you can change your personal potential for the better.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

Top photo by insung yoon on Unsplash

 

Tristan Strong Will Sweep You Away with Epic Adventure and African Folklore

Tristan Strong Will Sweep You Away with Epic Adventure and African Folklore

African mythology and folklore aren’t exactly common knowledge. When you think of gods and goddesses, it’s usually Greek and Norse gods like Zeus and Thor that come to mind.

Now characters such as High John the Conqueror and Anansi, along with their stories, are being introduced to a new generation through Kwame Mbalia’s dynamic middle grade fantasy Tristan Strong Punches a Hole in the Sky. The book will be released on October 15.

Tristan Strong is a twelve-year-old boy grieving the loss of his best friend, Eddie, and smarting from being defeated in his first boxing match. While visiting his grandparents’ farm in Alabama, he accidentally unleashes an evil haint and creates a hole between the real world and a magical world of African American folk heroes and West African gods. Now he must work together with them and undergo an epic quest to retrieve Anansi’s story box to save the world.

One of the best aspects of this book is how accessible the folktale and mythology characters are. These characters are modernized without losing their roots and inspire awe with their strength, humor, and sprinkles of humanity. One of my personal favorites is the character Gum Baby, who was originally a doll the trickster Anansi made to capture a fairy. Although she is commonly known by the sometimes derogatory term “Tar Baby,” the author makes her a fully fleshed-out character who is spunky, hilarious, and a clever fighter.

Another notable aspect of the book is Tristan Strong, the protagonist. Having been exposed to so many images of Black boys and men who are pressured to be hypermasculine at all times, I was pleasantly surprised to see Tristan Strong be a bit insecure and emotionally vulnerable. It is heartwarming to see him grow as a character and come into his own as a hero and as a person. One of my favorite parts of his character arc is Tristan slowly facing his fear of heights. Initially, he screams really loudly at being in the air, but eventually he comes to realize there are things more important than his fear.

In addition to Tristan himself, his friendship with Eddie, another Black boy, is wonderful. Even though Eddie has passed away, he lives on in a journal of stories and memories that become increasingly precious to Tristan. Tristan’s flashbacks to good and bad times with Eddie are a key part of Tristan’s coming to terms with his grief and his journey as a hero.

In fact, Eddie, Tristan, and Gum Baby are just a few of the amazing cast of characters in this book. There is also Ayanna, a Black girl who has the makings of a strong leader and fighter. Another Black girl, Thandiwe, is a fierce warrior who reminded me a lot of Dora Miljae from the Black Panther comic books. Although I would have liked to see more Black female folklore and mythical characters in addition to Gum Baby, I did enjoy seeing two of them embody Virginia Hamilton’s The People Could Fly.

Having been exposed to so many images of Black boys and men who are pressured to be hypermasculine at all times, I was pleasantly surprised to see Tristan Strong be a bit insecure and emotionally vulnerable.

In addition to the characters, the world building is also very well done. Although there is a lot to keep up with without a map or index of places, I found the author’s decision to make the world of the African folk heroes and gods parallel to the real world compelling, especially given how that world has allegorical references to postcolonialism and slavery. Some parts of it are dark, but it is subtle enough that middle grade readers won’t be terrified. Also, the world building as it applies to the book’s main antagonist is brilliant.

All in all, Tristan Strong Punches a Hole in the Sky is a dazzling adventure that will sweep you away. Reluctant middle-grade readers will tear through the book’s four hundred pages for the action and magic, while older readers will appreciate the book’s in-depth world building. It is a grand start to a new series and a perfect introduction to African myth and folklore.

The Afro YA promotes black young adult authors and YA books with black characters, especially those that influence Pennington, an aspiring YA author who believes that black YA readers need diverse books, creators, and stories so that they don’t have to search for their experiences like she did.

Latonya Pennington is a poet and freelance pop culture critic. Their freelance work can also be found at PRIDE, Wear Your Voice magazine, and Black Sci-fi. As a poet, they have been published in Fiyah Lit magazine, Scribes of Nyota, and Argot magazine among others.

top photo by Jenn Evelyn-Ann on Unsplash

 

Break Poetry Open Contest Winner

Break Poetry Open Contest Winner

Hannah Soyer

—C. Kubasta, Editor, BMP Celebrates National Poetry Month 2019

Winner

“what do i know about consent anyway” by Hannah Soyer

Short List

“A composing book, 1973” by Daisy Bassen

“FOR COLORED GURLS WHO HAVE CONSIDERED SUICIDE WHEN THE TWIST OUT WAS NOT ENUFF” by Levi Cain

“[mispronunciation]” by Uma Menon

Editors’ Picks

Week Five

“To: that nought in da jcemestry” by Penelope Alegria

“To Cry Out” by Cassandra Hsiao

“This Cosmic Dance” by Natasha McLachlan

what do i know about consent anyway

Contest Winner

Hannah Soyer

About Hannah Soyer

Hannah Soyer is a disabled creative writer and artist interested in perceptions and representations of what we consider ‘other.’ She is the creator of the This Body is Worthy project, which aims to celebrate bodies outside of mainstream societal ideals, and the founder of Freedom Words, a program to design and implement creative writing workshops specifically for students with disabilities. She has been published in Cosmopolitan, InkLit magazine, Mikrokosmos Journal, Hot Metal Bridge, Rooted in Rights, and her most recent piece, ‘Displacement,’ has been nominated for a Pushcart Prize.

thisbodyisworthy.com

Twitter/Instagram: @soyernotsawyer

A composing book, 1973

Short-List Selection

Daisy Bassen

The book is old.
The book has a yellow cover.
The book was given to me by my father.
My father was a teacher.

The book is simple.
The book is deceptive.
Deceit is valuable.
Deceit is proscribed.

The sentences are short.
The sentences make a song.
The sentences want involution.
A clause has claws.

The claws are yellow.
The claws are old.
The sentences are about bombs.
The sentences are about immolation.

The book belonged to a girl.
The girl was a student.
She learned about bombs.
The yellow of immolation.

The sentences are about runaways.
She ran away.
The girl.
Clawed.

About Daisy Bassen

Daisy Bassen is a practicing physician and poet. She graduated from Princeton University’s Creative Writing Program and completed her medical training at The University of Rochester and Brown. Her work has been published in Oberon, The Delmarva Review, The Sow’s Ear, and Tuck Magazine as well as multiple other journals. She was a semi-finalist in the 2016 Vassar Miller Prize in Poetry, a finalist in the 2018 Adelaide Literary Prize, a recent winner of the So to Speak 2019 Poetry Contest and was doubly nominated for a 2019 Pushcart Prize. She lives in Rhode Island with her family.

National Poetry Month

FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE WHEN THE TWIST OUT WAS NOT ENUFF

Short-List Selection

Levi Cain

swear on my mama
no–swear on something more
simple and sacred.
swear on my brother’s future mixtape,
swear on pig fat in collard greens and
freshly whipped shea butter,
arroz con what the fuck ever–
that the cracked cushion chair of
my hairdresser’s closet is
in fact a cathedral,
packets of yaki and remy dotted
with the same angels,
skin the color of good brandy.
the nollywood movies blaring
on the thrifted television is
the preacher.
there is one constant truth–
the half-room in waltham is
a tabernacle for second generation girls
who never learned how to cornrow.

a blackgurl’s bond with a hairdresser
is tighter than the binding of isaac,
requires more faith than you
ever know how to give
after years of lye being applied
to your scalp,
after years of being teased by
whitegirls who crow that
your hair looks like brillo pads
that they wouldn’t let their housekeepers
scour the sink with.
the same whitegirls who now quiz you
on coconut oil
and ask you to anoint them
with the wisdom of
deep conditioning.

i and every other blackgurl
who grew up in the suburbs
are haunted by visions of hot combs
and strangers putting their hands in our hair,
pulling so sharply we swear
we hear the echo of a whip crack.

but those ghosts have no place here,
in this space that has only space enough
for you,
your hairdresser,
and maybe her friend from haiti
who you do not know the name of
but who twists braids so gently it is
as if she wants to be your mother.

this is an act of love,
but all gods are not filled with goodness
and so neither is the woman
who stands with jojoba in her right hand,
84 inches of kankelon in her left,
who asks why you never
seem to have a boyfriend,
who told you she would rather die
than break bread with faggots
but passes you plantains as communion,
presses your forehead
to her chest as madonna,
calls you daughter,
welcomes you with open arms
to a rented room
in a part of a town that would make
a principal’s lip curl
–this blackgurl bethlehem,
this satin covered resting place,
this plane of being where
you are you
are blackgurl,
are celebration,
are miracle,
are nothing but holiest of holies.

About Levi Cain

Levi Cain is a queer writer from the Greater Boston Area who was born in California and raised in Connecticut. Further examples of their work can be found in Lunch Ticket, Red Queen Literary Magazine, and other publications.

[mispronunciations]

Short-List Selection

Uma Menon

i try to pull out a chameleon’s
tongue from inside my throat,
change the color, change it all
before another
……………[mispronunciation]
leaves my colorless mouth

instead i find my mother tongue
stuck inside my throat, a lump
forgotten only by me
& i find a desire, tucked away,
to strangle her and choke myself
before another
……………[mispronunciation]
escapes without explanation

i am afraid that i have stained
the english that i speak
that it yearns to be bleached
in cold sand

i watch my mother chug down
womanhood,
let it slide through the grip of her
mother tongue,
into the stomach of America
……………[& her mispronunciations]

About Uma Menon

Uma Menon is a fifteen-year-old student and writer from Winter Park, Florida. Her writing has appeared or is forthcoming in the Huffington Post, The Rumpus, and National Poetry Quarterly, Sahitya Akademi’s Indian Literature, and the Cincinnati Review, among others. Her first chapbook was published in 2019 (Zoetic Press); she also received the 2019 Lee Bennett Hopkins Award in Poetry.

National Poetry Month

To: that noght in da jcemetsry

Contest Editors’ Pick

Penelope Alegria

Th city light s r beutiful 2night.
Sky twinkles starligt on sidwalks
with cracks that almost shape like ur
sillhouette in twinkling moondust.
Clay polish tatters blu on ashes of
cigar wrappers flickering burnt blac
n im thinkn of the time u rolled roun
in somebody else’s ashes in that gravyard
next to the church with the clouds
rdy to snow upside down crosses.

Did u kn o th grass smells lik tequila
n th boys breaths smells like lilac
flickering burn t blqck sparks n my
legs feel like pillow n l8ly it dpens’t feel
right wrapping myself up in white
bedsheets bc they dont feel wuite as
electric as ur fingertips n m drunk

Im drunk im dunk m drnk n i want
u nex to me w legs like pillows n
breath like lilac burnt black n u
rollin around in someboyd else’s ashes
n i dk y u wouldnt want that eithr

About Penelope Alegria

Penelope Alegria has participated in Young Chicago Authors’ artistic apprenticeship, Louder Than a Bomb Squad. Her work has been featured or is forthcoming in La Nueva Semana Newspaper and El Beisman. Penelope was among the top 12 poets in Chicago as a Louder Than a Bomb 2018 Indy Finalist and was awarded the Literary Award by Julian Randall. She has performed spoken word at The Metro, University of Chicago, and elsewhere.

National Poetry Month

To Cry Out

Contest Editors’ Pick

Cassandra Hsiao

yellow: the cold echo of collapse muddled muddied
house of decay return to the ground that bore me
grow betrayal roots below mold my fingertips
bleed flag i no longer show pale yellow: crayoned
sun shine shield i risk changing colors if i don’t
yellow: aroma that does not lie trapped in tin pots roasted
crisp red brown duck i can taste home cannot find home
sell home know home remember touch of yellow: lazy tongue
remarks sting firecracker never cool enough to swallow yellow:
taste morning hours sunrise son rise sweet victory to open shop
open bells jingle lucky cat licks its paws yellow: eyes
glass over cat looks white yellow: light

About Cassandra Hsiao

Cassandra Hsiao is a rising junior at Yale University, majoring in Theater Studies and Ethnicity, Race & Migration. Her poetry, fiction, and memoirs have been recognized by Rambutan Literary, Animal, Claremont Review, Jet Fuel Review, and National YoungArts Foundation. Her plays have been selected as finalists for national playwriting competitions held by The Blank Theatre, Writopia Labs, Princeton University, Durango Arts Center, California Playwrights Project, and YouthPLAYS. Her work is currently being produced in theaters across the nation. She has also won a Gracie Award for her entertainment journalism and was recognized as a Voices fellow for the Asian American Journalists Association (AAJA).

Instagram/Twitter: @cassandrahsiao

Facebook: https://www.facebook.com/LoveCassandraHsiao/

National Poetry Month

This Cosmic Dance

Contest Editors’ Pick

Natasha McLachlan

About Natasha McLachlan

Natasha McLachlan is a poet currently living in Southern California. After losing her speech in 2018 due to unforeseen circumstances, she fell in love with reading all over again, as it helped her cultivate self-care–this, she hopes, will be a cure for others in a hectic and frantic lifestyle. She was a first-generation college student, graduating from California College of the Arts with a bachelor’s degree in Writing and Literature. As a minority, she takes pride in breaking the barriers and stigma around individuals of color by simply being herself. When she is not writing, she is spending time with her family or bonding with her 9 siblings, whom she considers her best friends. Her inspiration comes from the moons and stars around her, nature being her greatest muse.​

National Poetry Month
National Poetry Month

BMP Celebrates National Poetry Month — Break Poetry Open

For this year’s National Poetry Month, Brain Mill Press & Voices want to add to your #TBR pile, sing siren songs of unsung heroes, and signal boost living poets we should be reading more. By the end of the month, we hope you will have acquired 30+ new books of poetry and that they continue to multiply in the darkness of your library. Explore new voices & new forms — re-read some old favorites — play if you liked this poet, you’ll like... the old-fashioned way, algorithm-free — just poetry lovers talking to poetry lovers, as the Universe intended. Happy #NaPoMo2019 from Brain Mill Press.

I Wore My Blackest Hair

I Wore My Blackest Hair

A Poetry Month Spotlight on Carlina Duan

When I think of National Poetry Month, I think of high school me, trying to write thirty poems in thirty days with my slam poetry team and writing in slim but full notebooks and yelling verses into graffitied alleys in downtown Ann Arbor.

When I think of National Poetry Month, I think of longtime friend and poem writer Carlina Duan, who wrote in the corners of that high school with me. Who, as we both have grown and continued writing and studying and publishing, has been adding her vital voice to the poetry world.

Duan’s first book, I Wore My Blackest Hair, published by Little A in 2017, is a love letter to Chinese American girlhood. Her careful, musical, and visually rich poetry navigates the complexities of identity, family, love, and self-definition. In the book, Duan wrestles with her origins, her relationships with her parents and sister, and pieces of herself that she has lost and found. Duan’s images are bright, fresh, and comfortingly uncomfortable in their vividness; each poem is a bright and shimmering painting that bounces off the page.

In her work published since I Wore My Blackest Hair was released, Duan’s poetry sings with similar, necessary music. In two poems published by Peach Mag in 2018, Duan’s carefully woven words kaleidoscope with sound, specifically in the poem “Can You Speak English Yes or No”: “roman / alphabet digging at the space between my gums. Consonants / dropped like bricks, I chew their weight. always some man / telling me what I am, what we already know. say it right / say / it / say— can you read / can you speak / English / English / yes, /no.” Duan’s realization of the self is brave, unafraid, and real; it physically descends upon its readers and invites them to hold these worlds in their mouths.

Recently, Duan has also written poems about basketball, myth, language, and love. Every time I read a poem by Carlina Duan, my heart jumps in my chest. I read the poems aloud over and over, and we are in our high school creative writing workshop again, trading small scraps of paper scribbled with notes and our favorite lines of poetry. Reading a poem by Carlina Duan is like that—it feels like she is sharing something with you: handing you a neatly peeled orange, a photograph speckled with age, a music box, a memory that you have the privilege of seeing in spectacular color. This National Poetry Month, I encourage you to seek out Duan’s work and relish in the joyful, fiery, mythic beatings of her heart on the page.

Links to work/interviews:

“‘The Situation Is Gratifying,’” Winter Tangerine.

“I Wore My Blackest Hair: Two Poems (Excerpts),” The Margins.

“Rein,“ Narrative Magazine, First-Place Winner of the Narrative 30 Below Contest.

“Alien Miss,“ Tupelo Quarterly, Finalist in the Tupelo Quarterly Poetry Contest (TQ14).

“Mary,“ Black Warrior Review, Finalist in the BWR 2017 Poetry Contest.

“I Promise I Won’t Cry,“ wildness, Pushcart Prize nomination.

“Can You Speak English Yes Or No” and “In The Modern Encyclopedia For Basketball,“ Peach Mag.

“You Can Find Familiarity in Any Space You Go: A Conversation With Carlina Duan,” VIDA.

About Sara Ryan

Sara Ryan is the author of the chapbooks Never Leave the Foot of an Animal Unskinned (Porkbelly Press) and Excellent Evidence of Human Activity (The Cupboard Pamphlet). She was the winner of the 2018 Grist Pro Forma Contest, and her work has been published in or is forthcoming from Pleiades, DIAGRAM, Booth, Prairie Schooner, Hunger Mountainand others. She is currently pursuing her PhD at Texas Tech University.

 

National Poetry Month
National Poetry Month

BMP Celebrates National Poetry Month — Break Poetry Open

For this year’s National Poetry Month, Brain Mill Press & Voices want to add to your #TBR pile, sing siren songs of unsung heroes, and signal boost living poets we should be reading more. By the end of the month, we hope you will have acquired 30+ new books of poetry and that they continue to multiply in the darkness of your library. Explore new voices & new forms — re-read some old favorites — play if you liked this poet, you’ll like... the old-fashioned way, algorithm-free — just poetry lovers talking to poetry lovers, as the Universe intended. Happy #NaPoMo2019 from Brain Mill Press.

“Demons Are Not Fearless Black Boys with Imagination,” “Lake Girl,” and “Baby Island”

Editors' Choice Poems

We are delighted to present this week’s selections from the Brain Mill Press Poetry Month Contest, Break Poetry Open, by talented poets Jeremiah Davis, Meg Eden, and Riley Welch.

We hope you’ll enjoy these editors’ picks as much as we did.

Demons Are Not Fearless Black Boys with Imagination

Jeremiah Davis

Shape a universe into a butterfly then release it. Bribe the
dark spaces in your heart to let you create an estuary of
flowers. Pray like an off key piano and celebrate the fifth
grade memory when it was so simple it was a blessing to
dream and live it again. Tell your broken maestro he is
worthy of the song he’s been practicing. Talk with the
instrument in his passion. Let go. Let go. Let’s go. Let it go. I
never understood why crows were not called ‘black doves.’
They are just as beautiful. I never understood why the black
boy was never allowed to know he had the liberty of
dreaming off topic. They are just as beautiful.

Jareen Imam author photo

Jeremiah Davis is poet as well as an author. He has been writing poetry since grade school. Jeremiah started writing to better battle mental illness and overcome bullying. He has been published in The Perch Magazine, Phemme Zine, Junto Magazine, and more. He is twenty-two with aspirations higher than his age. More of his work can be found here.

Lake Girl

Meg Eden

 

Jareen Imam author photo

Meg Eden’s work is published or forthcoming in magazines including Prairie Schooner, Poetry Northwest, Crab Orchard Review, RHINO and CV2. She teaches creative writing at Anne Arundel Community College. She has five poetry chapbooks, and her novel “Post-High School Reality Quest” is published with California Coldblood, an imprint of Rare Bird Books. Find her online at www.megedenbooks.com or on Twitter at @ConfusedNarwhal.

Baby Island

Riley Welch

Jareen Imam author photo

Riley Welch is a poet from Texas living in Denver. Her work has previously appeared in The Write Launch and Authentic Texas Magazine, among others. More of her poetry can be found at her blog, arhymeaday.com

 

National Poetry Month

BMP Celebrates National Poetry Month — Break Poetry Open

For this year’s National Poetry Month, Brain Mill Press & Voices want to add to your #TBR pile, sing siren songs of unsung heroes, and signal boost living poets we should be reading more. By the end of the month, we hope you will have acquired 30+ new books of poetry and that they continue to multiply in the darkness of your library. Explore new voices & new forms — re-read some old favorites — play if you liked this poet, you’ll like... the old-fashioned way, algorithm-free — just poetry lovers talking to poetry lovers, as the Universe intended. Happy #NaPoMo2019 from Brain Mill Press.